About

Over the course of two weeks, she will carve, draw and paint in the gallery, filling it with studio furniture, tools and work in progress.
Blurring the line between private and public, her intervention - the first of its kind at MASSIMODECARLO - gently challenges the notions of the studio’s secrecy against the openness of the gallery space, finished and unfinished work, and the very paradigm of gallery exhibition.

“The different elements of my work create a kind of mental vertigo. I think about all the things I see while I move on to make new ones.”

Deeply informed by her childhood memories – …