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For his first solo exhibition NATURE in Berlin, Lou Jaworski opens a space oscillating between material and cultural memory, the subconscious and post-minimalist forms.
At the center of the installation is the figure of a superhumanly large Pinocchio made from nine 3D-printed sculptural components. Jaworski‘s version is a digital appropriation of the literary figure. In the 3D printing process, the individual parts are produced separately, which is reflected in the spatial installation. However, the fragments are mentally assembled into a complete, recognizable body. In its effect, the figure …