About

Departing from her roots as a South Korean artist steeped in the tradition of the moon jar form —an iconic symbol of Korean Culture—Jane Yang-D’ Haene has positioned herself as a neo-practitioner. She incorporates her own language and life experiences into 3-dimensional investigations of pain, joy and wonder. By working within a historical narrative, D’Haene is able to push the formal boundaries of her medium. This play between form and function elevates the work, introducing a conceptual challenge to the viewer. By confronting traditional forms, D’Haene highlights her own innovations. With …