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“Muscle” bears traces of absence. With the gradual process of an allusive omission and pushing one subject matter into the background, this absence raises other issues that are familiar and mundane; from meaty phones and frustrated faces to brothers in arms and influential personalities. In the “Muscle” exhibition, Seyed Mohamad Mosavat’s sarcasm against moral principles are presented with a justified, fantastical coherence. “Muscle” is familiar in terms of technique and a little strange in its subject matter. In order to understand the masculine world of this exhibition, the audience have to …