About

Geometry, the usual delimiter of spaces and provider of order, forgets its logical condition and inserts itself into the viscerality of human experience through Fernando de Ana's intimate gaze in “Piel de Aguja”.
Through a compilation of the different facets of his work, subordinating them to the one that gives the exhibition its title, Fernando de Ana orchestrates an act of metamorphosis between two dimensions: from an ordered and rational plan to a play of volumes that evoke an irrevocably human carnality. Both qualities are present in this exhibition, emphasising each other.
In this …