About

With this new body of work, Brady’s aim is to create paintings that are generous in spirit, but also find their way to occupy space and time in a frenetic, irregular, and ultimately surprising way.

In the last few years, Brady’s studio practice has taken a shift away from painting on stretched canvas and towards large scale site-specific paintings on unstretched canvas or paper. The process of cutting and collaging large scale work, constructed mostly on the floor, has opened up Brady’s project. With the new work presented at NADA, Brady has found her way back to small, stretched oil …