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The children, immortalized by the lens of the first and then represented by the painting of the second, respond to each other.

No feeling of repetition, however, is even the opposite that is happening before our eyes, with in reality two visions that are part of an exemplary complementarity.

We are indeed in a dialogue in the noblest sense, the words of one and the other enriching each other mutually. The language of the photographer is not that of the painter and vice versa, however their meeting flourishes in a mutual and harmonious understanding.

The smooth rendering of the photograph, the …