About

Yves Popet continues to experiment with the square shape in his work. He finds a sense of "déjà vu" in the study of monochrome, and wishes to take greater advantage of the emptiness of this form. To this end, he chose to introduce lines into his shapes, first black and white, then colored. But soon, a sense of exhaustion with the single square shape became apparent. He decided to cut his squares into quarters, then into eighths, to reinvigorate the initial shape.

Wishing to "show the square through the outer band" by asserting only the angles, Yves Popet submits himself to …