Chase Hall’s (b. 1993, St. Paul, Minnesota) practice responds to the human condition and the generational celebrations and developmental experiences encoded throughout American history. He engages with a variety of social and visual systems, each of which intersects with complex trajectories of race, portraiture, hybridity, economics, and personal agency. Hall creates images in which materiality …
Chase Hall’s (b. 1993, St. Paul, Minnesota) practice responds to the human condition and the generational celebrations and developmental experiences encoded throughout American history. He engages with a variety of social and visual systems, each of which intersects with complex trajectories of race, portraiture, hybridity, economics, and personal agency. Hall creates images in which materiality is as crucial to their compositional makeup as their indelible approach to representation in this central body of monoprints made with his inventive use of coffee grounds as pigments and a jig saw …
