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To welcome Paolo Staccioli, for this exhibition, there is a whole museum: the noble and precious museum of San Casciano where, among the numerous works of sacred art, furnishings and tapestries of the Catholic liturgy, masterpieces of fundamental importance for Gothic art in Tuscany shine out, such as the St. Michael the Archangel and stories of his legend by Coppo di Marcovaldo, dated 1260-70, and the Madonna of Vico l'Abate, the first true work by Ambrogio Lorenzetti, dated 1319.
I recently wrote about these two paintings that, "populated by hieratic and solemn sacred protagonists, …