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The principle quest in the work of Korean artist Minjung Kim is the relationship between Oriental and Western concepts and techniques, which she explores through the use of two basic materials: Mulberry Hanji paper and ink. The work captivates through its beauty and fragility by combining her idiosyncratic burning technique with ink markings. Abstract in her use of forms and topics, the artist introduces space and time issues by layering the paper and burning sections to generate time sequences as well as three-dimensionality.

David Connearn’s minimalist drawings similarly witness the hand …