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Brazil was undergoing great transformations and Rio de Janeiro was the center of attention, as the four hundred years of the city’s foundation were celebrated, and major events and demonstrations were planned. Aloísio Magalhães, the winner of the contest for the creation of the symbol of the IV Centenary.

In the ground-shaking year of 1965, artists and intellectuals were bluntly demonstrating. In this festive and, at the same time, effervescent context, art critic Ceres Franco and dealer Jean Boghici, on a plane trip between Ibiza and Barcelona, ​​decided to present an exhibition in Rio de …