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Colors of the wind. This enigmatic title translates the ambition of sculptor Nicolas Sanhes to materialize the intangible, to capture the elusive. These sculptures have always had an airy feel, as if despite their steel structures, a draft could shake them. But for this new exhibition and for the Saint-Paul-de-Vence Biennale, the artist is orienting his work in a new direction by exacerbating this aspect. While fitting into his traditional monumental and sprawling forms, the sculptor this time abandoned the solid and stripped lines to open them up and reveal the mechanics in play. Lighter …