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Delay, Philippe Decrauzat’s new series of paintings suggests that an aesthetic renewal may well be underway, but not one that entirely disrupts his artistic language, nor the narrative that he has been endeavouring to establish since his beginnings. If the form is unchanged, the spatiality of his work has evolved to adapt to a core derived from the same matrix. His aesthetic approach makes good use of the formal resemblance of which Heidegger was so fond, asking the fundamental question of humankind’s penchant for structuring itself in terms of its temporality and relationship to time. Proof …