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“Our society is a ‘mamjo’ (patchwork) of various ethnicities. We have an alakondre structure and are dynamic. That is why I took the courage and freedom to use this as a point of departure for the design of this group exhibition. The presentation is not like a white box with paintings hanging neatly at eye level. Quite to the contrary, the artworks are arranged on the walls in a dynamic composition.”

Dhiradj first got the idea for this type of composition from what he saw in museums during his artist residency in Paris several years ago, and this was reinforced when he recently visited the …