About

In Chroma-Viscosity II, Rob and Nick Carter rupture the boundaries of materiality, time and technology.

The film, a digital evolution of their exploration into the materiality of paint, captures the dynamic motion of wet paint and reimagines it through the lens of Ai. The result is a fluid, ever-shifting interpretation of the tactical, visceral qualities of paint, magnifying each detail and immersing the viewer in a constantly evolving surface.

Accompanying the film are five framed works, serving as a continuation of the Painting Photographs series from 2004/5. Here, compositions of wet …