About

“I was thinking about a plaza, a center where constant movement is happening. A place about coming to and moving through, where flow and movement define the space…”

Touching upon geometric variations, color theory, active engagement and movement, Ferguson’s exhibition lands somewhere at the intersection of painting, sculpture and performance. Buried in this new body of work is the possibility of the transformational, and the potential for activating neutral form into dynamic form.

Ferguson’s octagons act as metaphors for interconnectedness. Made of watercolor paper and engineered on a …