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Jeong Hyun Ha’s Luminous Density: Innocence on Canvas (2024) grounds itself in the traditional language and narrative of the artist whilst allowing for new perspectives and interpretations. Ha’s new solo exhibition at Roy Gallery aims to illustrate what she considers a sense of “luminous density” from her canvas. This essence is attained in two areas: the formative language of her expressive technique and the symbols on canvas that capture Ha’s life-moments.
Ha’s primitive painting style is associated with her perspective and attitude towards the canvas. Consisting of scribbly handwriting and …