While I wouldn’t call it a predilection, humans are particularly good at—and seemingly particularly obsessed with—some form of “rolling.” Adele likes to do it in the deep; Aphrodelics like to do it on chrome; the term served, in an abbreviated form, as shorthand for asserting post-9/11 patriotism; you can be a rock and not do it. Filled with potential, purpose, aims, outcomes, we roll. Such is …
While I wouldn’t call it a predilection, humans are particularly good at—and seemingly particularly obsessed with—some form of “rolling.” Adele likes to do it in the deep; Aphrodelics like to do it on chrome; the term served, in an abbreviated form, as shorthand for asserting post-9/11 patriotism; you can be a rock and not do it. Filled with potential, purpose, aims, outcomes, we roll. Such is the orbit into which Roll With It, the inaugural exhibition in Scott Miller Projects’ back room, spins into and pushes forward.
Roll With It is as much inspiration as resignation. And here, in the …
