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Since at least 1917, when Marcel Duchamp took a urinal, signed it as R. Mutt, and submitted it to the first public exhibition of the Society of Independent Artists, objects support our contemporary world view in a different way. The fountain and the bottle rach, the chandelier and the bicycle wheel on a stool have transcended the concept of a work of art, in the same way that the structures of current exhibitions have become works by themselves. The combination of Fernando Abellanas (aka Lebrel) and Sean Mackaoui in the same exhibition cannot ignore the importance of structures. Of their …