About

Elizabeth Jobim’s trajectory in the visual arts spans around four decades; the first exhibition she participated in was held in 1982, in Rio de Janeiro. When we observe works from different moments in her research, two elements seem consistent: painting and its relation with the human body.
Concerning the way her works are usually perceived through an abstraction perspective, I’d rather conceive this association more through the blink of an eye than a monogamic relationship; analyzing her career, it is remarkable that part of her research began with imitating reality, transforming into …