About

White Album

I once wrote that Antonio Malta Campos is an artist of continued insurgency. I go further: he constantly breaks the formal methods involved in pictorial making, in the drawing line, in the risk of croqui or even in the anarchic medley of formats and techniques. It is on this tortuous and diverse path, but also controlled, that Malta constructs the chaotic visceral landscapes and portraits showed in this exhibition. What is envisioned, regardless of the work’s scale, can also be dreams, investigations, perspectives of a dark or catastrophic future. The announced full landscape is …