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In the exhibition, Anne-Carney combines influences as broad as North-American quilt design, manuscript illumination and the architecture of skate parks to create a body of works that reflect upon the fabrication of fictive worlds, the artifice of painting and the construction of space. The title encompasses the playful nature of the work as well as the rhythm of the game which echoes throughout her paintings in the characteristic repetition of motifs.

The works in ‘Hopscotch’ are permeated with a sense of dualism; between the playfulness evoked by the architecture of skateparks and the …