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Showcasing pieces that range in scale from intimate wall works to a large floor piece assembled in-situ at the gallery, South’s new works see her characteristic architectural and industrial forms continue to proliferate into ever more dense and engaging constructions. While continuing to use cut, folded and painted paper (reviewing her last solo exhibition at Spencer Brownstone Gallery, Artforum magazine described South as equal parts structural engineer and virtuoso origamist), the artist here moves away from the more fragile constructions of her early work toward more robust forms, often …