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In addition to launching new editions by David Shrigley and Andreas Eriksson, the exhibition marks the first time the gallery has collaborated with Deborah Roberts and Denzil Forrester to develop new multiples.

In ‘One history, two versions (Bullet Points)', Deborah Roberts continues her investigation into notions of identity, race, and the weight of history. The screenprint combines the arm from Martin Luther King's memorial statue in Washington D.C., a button from King's iconic speech during the 1963 Civil Rights March, and the face of a black doll. Here, Roberts uses King's …