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Ever since Mexico became a nation-state, the collective mesoamerican imaginaries have been a constant in its artistic production. Mediums such as painting, sculpture and photography, amongst others, have interpreted, kept record of, and disrupted the ancient times- both through their formal dimensions and iconographies.
El paisaje es presente del pasado (Landscape is a present from the past) gathers the productions of three different generations of artists whose approach to the past embodies a journey through the inherited territory, as well as a recognition of the natural and constructed …