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A cosmic auditory resonates through the work of the two artists. One maker reclaims apparatus manufactured for the transmission of sound. The other takes sound, as it exists for him, and transforms it into the objectified line. From a formal perspective, little connects them. Yet their physical formats contain a sense both of future and memory, of observation and recollection. It is as if, under the gaze of the viewer, they react as few artworks do. They communicate.

ACM is a pen name, acquired for and acknowledged by the artist’s closest circle. It denotes a practice, a private relationship. …