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The void, said Charlotte Perriand, contains everything, because it represents the possibility of moving, the movement in power. But imagine an infinite space, devoid of any reference. In such a space, it would be impossible to move, because nothing would measure the distance travelled. It is, therefore, necessary at least
that the vacuum contains a repository for this proposition to be true. The exhibition Spaceless proposes to imagine the nature of this frame of reference: what should the void be full to allow the
movement?

The works of Félicie d’Estienne d’Orves and Pandora Mond approach the …