About

Employing cyanotype, photography and hand-woven textiles, Oh reframes traditional materials and methods, imbuing her artworks with memory, place, and identity.
Her practice distils her upbringing as a third-generation Zainichi Korean raised in Japan, migrating to Australia in 2014, and draws on her family’s relocation from Jeju Island to Japan in 1930.
Her work shifts seamlessly between the personal and global, memories of ancestors are reimagined and carried into the future. She reflects on the importance of intergenerational storytelling as a means of interpreting history.
Through her …