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More than any other vital demonstration, I studied, all along my life, births. This is where, for me, that exists the essential drama, better than in death which is only a banal defeat.
Colette – Le Blé en Herbe (1923)

Sandrine Rondard paintings result from a protocol where observation, staging and a plastic rendering of the image are set up. First, there is the walking. An appropriate moment for the encounter, with a landscape, a natural element, a color, a light. All these elements create the different issues of her pictural work. “I prefer drooping lights, between dog and wolf”.1 This …