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Typically, liminal spaces are characterised by transition, presented in the physical forms of corridors, stairways or elevators, serving as waiting rooms between one place and another. They are often empty and abandoned, devoid of human presence. Yet, despite their disquieting indistinctness, these spaces remain strangely familiar, inducing an oddly combined feeling of eeriness and nostalgia. However, the works presented in Rites of Passage frequently include a recognisable cast of characters, inhabiting these liminal spaces and contending with their own periods of change. In this sense, by …