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By starting from the point of view of the personal narrative, More Than One Memory begins to wrestle with this long arch of history (or, viewed differently, the global as a historical event) through personal choices, expressions and aesthetic paradigms. In this sense, the exhibition may follow the narrative of British colonisation, although skeptically, by showing alternative memories. This interpretation of events is consistent with Rwandan philosopher Izaïe Nzeyimana when he says that “Africa has more than one memory.”

In this chapter, the personal is cast against the global as a historical …