About

Carroll Dunham was invited to ULAE by Bill Goldston in 1984. He has since experimented with lithography, intaglio, wood engraving, screen printing and most recently digital printing. Dunham's references to art history are subtly filtered through memory and association. His high-key, often day-glo colors bring to mind cartoons and album covers of the 1960s, while the biomorphic forms that recur throughout his work — the wave, the mound, genitalia, tongue, and teeth — satisfy the subconscious urges of a child's doodling. As a result, Dunham's prints, like his paintings, function on …