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"Becoming equally obsessed with the relationship between mathematics and aesthetics, with the intertwined harmony of the world around him, Remed’s work can thus be seen to have become steeped in the balance and contrasts so prevalent within Islamic Art, a visual regime in which all parts of the image were involved in a search for synchrony, where nothing was left to chance. Yet while his aesthetic experimentations were emerging from a very personal space (his urge to paint functioning akin to a “diary, a notebook of inventions, or philosophical essay”), so to they were attempting to …