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In the last couple of thousand years the proportionate male and female body become the symbol of beauty and harmony – independent of taste and moral of a given era – sometimes planted into biblical or mythological stories or pictured realistically as the object of desire. ‘The basic of nude drawing’s artistic curiosity, the human is the closest to humans and its main interest is the human’ – written in the study of Károly Lyka [Art (Művészet), 1915/3], and it is so: let it be a lifelike objective image, stylised representation of the body or an allegoric display, artists can tackle many …