About

For many years, Jason Martin has mastered his own specific language, immediately recognizable and assimilable: these are paintings made with great thicknesses of pictorial paste characterized by mostly monochrome surfaces and apparent incisions or grooves that generate fluid landscapes generally geometric or eddies and layers of very shapeless material thicknesses, coagulated at different points. Yet each work is a new discovery, concrete proof that the golden streak has never been exhausted and that in his case there are still many avenues to explore. The greatest impetus to procrastinate …