About

In Javier Peláez's recent work executed in Mexico City for this year's exhibition project with
William Turner Gallery there are new formal and discursive premises in the composition of the
images and also lines of continuity with respect to his past explorations. Specifically, the artist
continues to develop the optical complexity of abstract planimetric architectures; retains the
connection with certain Japanese visual elements; supports the idea of the diagram or structure of
floating or weightless forms; and continues to resort to the industrial or high-tech chromatic
scenes that …