About

With two thousand fifteen, artist Mark Geffriaud (FR, 1977) revisits some of the formal and narrative characteristics of tthe literary text 'Company' (1977-1979) by Samuel Beckett – an anonymous, detached voice speaking in the second person; the closed-off, almost metaphysical space where the story unfolds – and deploys them to further his own research into the phenomenon of time in cinema. In writing, the author, and with them the reader, is able to seamlessly shift between different times and spaces, however in cinema the montage or cut is always a hard-edged tool which never passes …