Belgian artist Lieselot works with natural materials, which are the result of an intuitive process and unique.
In this way, Lieselot builds towards a 3D result. It is a slow process, as it is constructed in several layers with waiting times in between. The final result is finished with tadelakt, a Moroccan decorative plaster that literally means "to rub in." No paint is used. Irregular textures and marks are part of her unique work and should be embraced.

Lieselot’s inspiration for this new series continues to grow from my other passion for flowers.

The tulip is a stubborn living being; it decides for itself how it wants to grow and which direction it wants to take. Perhaps something to be envious of?

Belgian artist Lieselot works with natural materials, which are the result of an intuitive process and unique.

In this way, Lieselot builds towards a 3D result. It is a slow process, as it is constructed in several layers with waiting times in between. The final result is finished with tadelakt, a Moroccan decorative plaster that literally means "to rub in." No paint is used. Irregular textures and marks are part of her unique work and should be embraced.

Belgian artist Lieselot works with natural materials, which are the result of an intuitive process and unique.
In this way, Lieselot builds towards a 3D result. It is a slow process, as it is constructed in several layers with waiting times in between. The final result is finished with tadelakt, a Moroccan decorative plaster that literally means "to rub in." No paint is used. Irregular textures and marks are part of her unique work and should be embraced.

Untitled is part of the limited series Bricks.

Belgian artist Lieselot works with natural materials, which are the result of an intuitive process and unique.
In this way, Lieselot builds towards a 3D result. It is a slow process, as it is constructed in several layers with waiting times in between. The final result is finished with tadelakt, a Moroccan decorative plaster that literally means "to rub in." No paint is used. Irregular textures and marks are part of her unique work and should be embraced.

Untitled is part of the limited series Bricks.

Belgian artist Lieselot works with natural materials, which are the result of an intuitive process and unique.
In this way, Lieselot builds towards a 3D result. It is a slow process, as it is constructed in several layers with waiting times in between. The final result is finished with tadelakt, a Moroccan decorative plaster that literally means "to rub in." No paint is used. Irregular textures and marks are part of her unique work and should be embraced.

Untitled is part of the limited series Bricks.

Belgian artist Lieselot works with natural materials, which are the result of an intuitive process and unique.
In this way, Lieselot builds towards a 3D result. It is a slow process, as it is constructed in several layers with waiting times in between. The final result is finished with tadelakt, a Moroccan decorative plaster that literally means "to rub in." No paint is used. Irregular textures and marks are part of her unique work and should be embraced.

Untitled is part of the limited series Bricks.

Belgian artist Lieselot works with natural materials, which are the result of an intuitive process and unique.
In this way, Lieselot builds towards a 3D result. It is a slow process, as it is constructed in several layers with waiting times in between. The final result is finished with tadelakt, a Moroccan decorative plaster that literally means "to rub in." No paint is used. Irregular textures and marks are part of her unique work and should be embraced.

Untitled is part of the limited series Bricks.

Belgian artist Lieselot works with natural materials, which are the result of an intuitive process and unique.
In this way, Lieselot builds towards a 3D result. It is a slow process, as it is constructed in several layers with waiting times in between. The final result is finished with tadelakt, a Moroccan decorative plaster that literally means "to rub in." No paint is used. Irregular textures and marks are part of her unique work and should be embraced.

Untitled is part of the limited series Bricks.

Belgian artist Lieselot works with natural materials, which are the result of an intuitive process and unique.
In this way, Lieselot builds towards a 3D result. It is a slow process, as it is constructed in several layers with waiting times in between. The final result is finished with tadelakt, a Moroccan decorative plaster that literally means "to rub in." No paint is used. Irregular textures and marks are part of her unique work and should be embraced.

Untitled is part of the limited series Bricks.

Belgian artist Lieselot works with natural materials, which are the result of an intuitive process and unique.
In this way, Lieselot builds towards a 3D result. It is a slow process, as it is constructed in several layers with waiting times in between. The final result is finished with tadelakt, a Moroccan decorative plaster that literally means "to rub in." No paint is used. Irregular textures and marks are part of her unique work and should be embraced.

Untitled is part of the limited series Bricks.

Belgian artist Lieselot works with natural materials, which are the result of an intuitive process and unique.
In this way, Lieselot builds towards a 3D result. It is a slow process, as it is constructed in several layers with waiting times in between. The final result is finished with tadelakt, a Moroccan decorative plaster that literally means "to rub in." No paint is used. Irregular textures and marks are part of her unique work and should be embraced.

Lieselot’s inspiration for this new series continues to grow from my other passion for flowers. The tulip is a stubborn living being; it decides for itself how it wants to grow and which direction it wants to take. Perhaps something to be envious of?

Untitled is part of the limited series Bricks.

Belgian artist Lieselot works with natural materials, which are the result of an intuitive process and unique.
In this way, Lieselot builds towards a 3D result. It is a slow process, as it is constructed in several layers with waiting times in between. The final result is finished with tadelakt, a Moroccan decorative plaster that literally means "to rub in." No paint is used. Irregular textures and marks are part of her unique work and should be embraced.

Lieselot’s inspiration for this new series continues to grow from my other passion for flowers. The tulip is a stubborn living being; it decides for itself how it wants to grow and which direction it wants to take. Perhaps something to be envious of?

Untitled is part of the limited series Bricks.

Belgian artist Lieselot works with natural materials, which are the result of an intuitive process and unique.
In this way, Lieselot builds towards a 3D result. It is a slow process, as it is constructed in several layers with waiting times in between. The final result is finished with tadelakt, a Moroccan decorative plaster that literally means "to rub in." No paint is used. Irregular textures and marks are part of her unique work and should be embraced.

Lieselot’s inspiration for this new series continues to grow from my other passion for flowers. The tulip is a stubborn living being; it decides for itself how it wants to grow and which direction it wants to take. Perhaps something to be envious of?

Untitled is part of the limited series Bricks.

Lieselot her method draws from nature, with the seasons playing a significant influence. The organic shapes take inspiration from Greek mythology, particularly emphasizing the female form as a central theme. The sculptures are intuitive, organic and monochromatic, existing in three dimensions where texture and volume hold huge significance. "The lines, inspired by the female body, are infinite and deserving of acceptance", Lieselot explains.

The artist prioritizes the process over the end result, yet acknowledges the significance of both. Initiating with a sketch to capture the right lines, she always sculpts intuitively. Each piece is unique and showcases distinctive details, embracing the handmade nature with its inherent imperfections. By applying natural raw pigments, sand and resin, their color and texture are never replicated while at the same time preserving the form.

Every piece has been made using sustainable materials (organic filter sand, water based resin, natural raw pigments) is water and UV-light-resistant.

Lieselot her method draws from nature, with the seasons playing a significant influence. The organic shapes take inspiration from Greek mythology, particularly emphasizing the female form as a central theme. The sculptures are intuitive, organic and monochromatic, existing in three dimensions where texture and volume hold huge significance. "The lines, inspired by the female body, are infinite and deserving of acceptance", Lieselot explains.

The artist prioritizes the process over the end result, yet acknowledges the significance of both. Initiating with a sketch to capture the right lines, she always sculpts intuitively. Each piece is unique and showcases distinctive details, embracing the handmade nature with its inherent imperfections. By applying natural raw pigments, sand and resin, their color and texture are never replicated while at the same time preserving the form.

Every piece has been made using sustainable materials (organic filter sand, water based resin, natural raw pigments) is water and UV-light-resistant.

Lieselot her method draws from nature, with the seasons playing a significant influence. The organic shapes take inspiration from Greek mythology, particularly emphasizing the female form as a central theme. The sculptures are intuitive, organic and monochromatic, existing in three dimensions where texture and volume hold huge significance. "The lines, inspired by the female body, are infinite and deserving of acceptance", Lieselot explains.

The artist prioritizes the process over the end result, yet acknowledges the significance of both. Initiating with a sketch to capture the right lines, she always sculpts intuitively. Each piece is unique and showcases distinctive details, embracing the handmade nature with its inherent imperfections. By applying natural raw pigments, sand and resin, their color and texture are never replicated while at the same time preserving the form.

Every piece has been made using sustainable materials (organic filter sand, water based resin, natural raw pigments) is water and UV-light-resistant.

Belgian artist Lieselot works with natural materials, which are the result of an intuitive process and unique.
In this way, Lieselot builds towards a 3D result. It is a slow process, as it is constructed in several layers with waiting times in between. The final result is finished with tadelakt, a Moroccan decorative plaster that literally means "to rub in." No paint is used.

Irregular textures and marks are part of her unique work and should be embraced.

Belgian artist Lieselot works with natural materials, which are the result of an intuitive process and unique.

In this way, Lieselot builds towards a 3D result. It is a slow process, as it is constructed in several layers with waiting times in between. The final result is finished with tadelakt, a Moroccan decorative plaster that literally means "to rub in." No paint is used.

Irregular textures and marks are part of her unique work and should be embraced.

With her first collection, Belgian designer Rebecca Ackaert approaches the rational industry of steel with a soft tone. Inspired by the art of Japanese joinery her objects tend to present the material in its essence. Instead of additive welding or use of bolts, the different components become a stable entity as their specific bents or cuts utilizes the natural properties of the material.

With her first collection, Rebecca Ackaert approaches the rational industry
of steel with a soft tone. Inspired by the art of Japanese joinery her objects tend to present the material in its essence. Instead of additive welding or use of bolts, the different components become a stable entity as their specific bents or cuts utilizes the natural properties of the material.