This 1968 poster, created for the Smithsonian Institution in Washington, D.C., is a remarkable example of fine art lithography. Printed by the renowned Atelier Mourlot, the poster embodies the excellence and tradition associated with this legendary printmaking studio. Known for its collaborations with prominent artists such as Picasso, Matisse, and Chagall, Atelier Mourlot brings a high level of craftsmanship and artistic quality to this piece.

The poster features a sophisticated composition, combining elements that reflect the Smithsonian Institution’s dedication to the arts, culture, and education. The vibrant colors and intricate details are typical of Mourlot’s exceptional lithographic techniques, ensuring that each print is a work of art in itself. The choice of bold, dynamic visuals not only captures attention but also communicates the Smithsonian's mission to inspire curiosity and foster knowledge.

"The Seasons" is a compelling artwork by Jasper Johns that delves into artifacts and seasonal symbols to represent the epochs of life and the cycles of growth and aging. This piece, signed and numbered #38/50, was published and printed by Universal Limited Art Editions in West Islip, New York. It is featured in F. Field's "The Prints of Jasper Johns 1960-1993, A Catalogue Raisonné," as entry no. 249.

Seated behind UF-3 Plexiglas in a wooden frame with a face profile of 0.75 inches and a side profile of 2.5 inches, "The Seasons" invites viewers to contemplate themes of time, change, and the cyclical nature of life. Johns' work creates a visually rich and thought-provoking exploration of the natural world and human experience, encouraging reflection on the passage of seasons and the eternal rhythms that shape our existence.

This rare poster is a mechanical reproduction of "Merlin," an oil on canvas painted by Gerhard Richter in 1982, part of the FRAC Bourgogne Collection in Dijon, France. Published by Achenbach Art Editions, the poster captures Richter's masterful blend of abstraction and representation, characterized by dynamic forms and rich textures. This high-quality reproduction reflects the original's depth and complexity, making Richter's innovative work accessible to a broader audience. As a piece associated with the esteemed FRAC Bourgogne Collection, it holds significant cultural and artistic value.

Published in 2003, as a gift for the employees of the Victoria-Versicherung Insurance company. This is an offset lithograph of “Victoria I” which has a facsimile signature, printed on heavy stock paper. Listed in catalogue raisonne Butin/Gronert P. 283.Printed by Achenbach Art Editions, Dusseldorf Germany. This piece was acquired directly from Achenbach, who were allowed to sell the prints that were not gifted.

In 1986, Richter won a commission from insurance company Victoria-Versicherung for two large paintings. Richter wanted to challenge himself not just in concept and design but also in execution, deciding to paint each piece on a single canvas measuring six meters high and four wide. Previously he had painted similarly sized pieces in sections and later admitted that the task was “a little megalomaniacal.” Richter named the paintings “Victoria I” and “Victoria II,” after the company, which commissioned them. These pieces continued his exploration of abstract painting, which characterized his work in the 1980s.

"Eis 2" is a large-scale, limited edition silkscreen print by the renowned artist Gerhard Richter, published by the Lincoln Center Poster Program in 2003. This exceptional piece, printed by Brand X, features an impressive 46 color screens, showcasing Richter's masterful use of color and abstraction.

The print is mounted in a sleek white frame with a 1/2 inch face and a 1 1/2 inch depth, protected by Plexiglas, enhancing its presentation and ensuring its longevity. Richter's "Eis 2" exemplifies his ability to blend meticulous technique with emotional depth, creating a visually stunning composition that captures the viewer's attention.

Known for his diverse artistic styles, Richter's work often explores themes of perception and reality. "Eis 2" is no exception, with its intricate layering of colors and textures that evoke the ethereal beauty of ice. The use of 46 color screens highlights Richter's innovative approach to printmaking, resulting in a rich and complex image that changes subtly with the viewer's perspective.

Not signed and not numbered, this is an overrun from the signed and numbered print run. The poster version had text in the bottom margin. Katherine Porter designed the poster and print to announce the 1972 Newport Jazz Festival in New York. 350 posters with text and the same image were published in addition to the signed and numbered limited edition print run of 144. The Porter is referenced on pages 36 and 37 of the Lincoln Center Posters book.

"Tertius," created by Paul Narkiewicz in 1975, is a notable serigraph that highlights his distinctive approach to contemporary art. This piece is part of a limited edition, signed by the artist on the right side and inscribed with "P.P for Chip" on the left in pencil, indicating its unique status as a printer's proof. The serigraph is characterized by its dynamic use of color and form, showcasing Narkiewicz's ability to blend geometric precision with expressive abstraction. As a significant example of 1970s printmaking, "Tertius" reflects the artist's engagement with modernist themes and his contribution to the art of serigraphy.

First edition serigraph, not signed and not numbered, created by Yrisarry to announce the Third International Choral Festival for the Lincoln Center in 1972. Referenced pages 52, 53 of the Lincoln Center Posters book. 100 posters were printed and 198 signed and numbered prints were created. This is mostly likely an overrun from the signed and numbered print run, as there is no text.

First release lithograph by Le Corbusier, unsigned and not numbered, dated 1963. Printed on Arches paper by Mourlot in Paris as a pre-press proof for color and placement of the image on the paper.

This signed and numbered print by Bill Komoski was created for the benefit of the Lincoln Center in 1987. Known for his intricate and vibrant abstract compositions, Komoski’s work in this piece exemplifies his dynamic use of color and form. The print is part of a limited edition, adding to its exclusivity and value.

Komoski’s contribution to the Lincoln Center underscores his support for the arts and reflects the institution’s commitment to promoting contemporary artists. This print is not only a testament to Komoski's artistic talent but also serves as a significant piece of cultural history, representing a collaboration between an influential artist and a major cultural institution.

"Yellow Flame" is a vibrant floral serigraph (screen print) by Robert Zakanitch, published by the Lincoln Center for the Performing Arts in 1979 and printed by Brand X in NYC. Part of a limited edition of 144, this piece exemplifies the intricate patterns and decorative imagery that brought Zakanitch fame. A leading figure in the Pattern and Decoration movement, his work blends ornamental design with bold colors, creating a dynamic and captivating composition. This serigraph, in excellent condition, showcases Zakanitch's mastery and innovation, making it a valuable addition to any art collection.

"Cascading Vines" by Robert Zakanitch is a large, vibrant serigraph (also known as a silk-screen or screen print) in colors, published by the Lincoln Center for the Performing Arts in New York City in 1977. Known for his intricate decorative patterns, Zakanitch's work in this piece showcases his mastery in creating detailed and aesthetically captivating designs. The artwork is signed and numbered, from an edition of 144, adding to its exclusivity and collectibility. Printed by Brand X, this serigraph stands as a testament to Zakanitch's skill and artistic vision.

Zakanitch, a leading figure in the Pattern and Decoration movement, gained significant fame for his ability to transform ornamental patterns into fine art. "Cascading Vines" exemplifies this with its lush, flowing floral motifs that create a sense of movement and depth, capturing the viewer's attention with its complexity and beauty.

This untitled abstract work by artist Fred Karl Dahmen, published in 1971, is a compelling example of his exploration of form and space. The composition features dark forms set against a stark white background, creating a striking visual contrast. The white wall-like background is intersected by lines that bisect the composition halfway vertically and three-quarters of the way horizontally from the top, adding a geometric element to the piece.

In the darker area of the composition, there is a notable form that appears to be intentionally crafted by the artist, featuring six small openings. These openings break up the solid dark form, adding depth and intrigue to the work. The interplay of light and shadow, combined with the precise placement of lines and forms, creates a sense of movement and complexity within the piece.

This double-page silkscreen print, part of a 1972 portfolio published by Harry N. Abrams, showcases one of Josef Albers' iconic works. The portfolio includes 127 silkscreens printed by his Yale colleagues, Norman Ives and Sewell Stillman, in an edition of 1,000. Known for his pioneering work in color theory and geometric abstraction, Albers' precise use of form and color interaction continues to influence contemporary art. This silkscreen, with a fold line down the center as issued, exemplifies his systematic approach and exploration of visual perception.

This double-page silkscreen print, featured in a portfolio book of Josef Albers' most iconic works, exemplifies his profound influence on abstract and geometric art. Published by Harry N. Abrams in 1972, the portfolio includes 127 silkscreens printed by Albers' esteemed Yale colleagues, Norman Ives and Sewell Stillman. Released in a limited edition of 1,000, this collection highlights Albers' innovative exploration of color theory and geometric abstraction. The fold line down the center, as issued, adds to its authenticity and charm.

Josef Albers, a pivotal figure in modern art, is renowned for his series "Homage to the Square," which explores the interaction of colors within nested squares. His meticulous approach and deep understanding of color relationships are evident in this silkscreen print, making it a valuable piece for art collectors and enthusiasts. The print serves as a testament to Albers' enduring legacy and his contributions to the study of color and form.

This portfolio, a significant publication in the art world, offers a comprehensive view of Albers' groundbreaking work. Each silkscreen serves as a study in the relationship between color and form, inviting viewers to engage with the visual and psychological effects of color interactions. The precision and clarity of Albers' work, combined with the high-quality production by his Yale colleagues, make this double-page print a standout piece in any collection.

This unique sculpture by Clifford Singer features a combination of silkscreen on Sintra and a hand-painted black wood lathed wheel. The intricate design showcases Singer's innovative use of materials and his ability to blend different artistic techniques seamlessly. Each piece is hand signed and numbered in silver marker, adding a personal touch and ensuring its authenticity.

The silkscreen on Sintra provides a striking visual element, characterized by its vibrant colors and geometric patterns, which are hallmarks of Singer's abstract style. The hand-painted black wood lathed wheel adds a tactile dimension, contrasting the smooth, sleek surface of the Sintra with the organic texture of the wood.

Singer's work is renowned for its precision and meticulous craftsmanship, and this sculpture is a testament to his artistic vision and technical skill. The combination of materials and techniques creates a dynamic interplay of form and color, making it a standout piece in any collection.

This special edition serigraph poster was created for Jean Arp's exhibition at the Denise René Gallery in Paris, held between 1962 and 1963. Published by Denise René Gallery in an edition of 300 and printed on very heavy stock, the printer of this particular piece remains unknown.

Jean Arp, a founding member of the Dada movement in Zurich in 1916, significantly influenced the trajectory of abstract art. His collaboration with Max Ernst and Alfred Grünwald in establishing the Cologne Dada group in 1920 showcased his commitment to avant-garde artistic exploration. By 1925, Arp's work was featured in the first exhibition of the surrealist group at Galerie Pierre in Paris, marking his continued evolution and impact on the art world.

Arp's contributions to abstract art are profound. His organic forms and innovative use of biomorphic shapes broke away from traditional representational art, paving the way for modern abstraction. Arp's work often blurred the lines between painting and sculpture, incorporating fluid, natural forms that challenged conventional artistic boundaries.

This poster not only commemorates a pivotal exhibition but also underscores Arp's lasting influence on abstract art. His ability to fuse Dadaist irreverence with surrealist imagination and abstract purity has left an indelible mark on contemporary art. Collectors and enthusiasts regard this piece as a valuable testament to Arp's legacy and his role in shaping the abstract art movement.

This vibrant silkscreen print by renowned artist Yaacov Agam was created in 1993 for the "Learning Through Art" program. Known for his pioneering work in kinetic and optical art, Agam brings his signature style to this limited edition piece, which is signed and numbered out of 150 in pencil.

The print features Agam's characteristic use of bold colors and dynamic geometric patterns, creating an engaging and visually stimulating composition. The interplay of shapes and hues invites viewers to experience the artwork from different angles, embodying Agam's exploration of movement and perception.

Agam's involvement in the "Learning Through Art" program underscores his commitment to integrating art into educational environments, encouraging creative thinking and visual literacy. This piece reflects his belief in the transformative power of art as a tool for learning and personal growth.

This striking poster was created by renowned abstract artist Jon Nathanson for the American Dance Festival in 2015. It is an artist proof, meticulously numbered out of a limited edition of 10 and signed in pencil by Nathanson, ensuring its authenticity and exclusivity. The poster is printed on thick, high-quality paper with a deckled edge, adding to its tactile appeal and visual depth.

Nathanson’s abstract style is characterized by dynamic compositions and a vibrant interplay of color and form, making this poster a captivating representation of his artistic vision. The choice of materials and the attention to detail reflect Nathanson’s commitment to quality and his ability to convey movement and emotion through abstract forms, perfectly complementing the themes of the American Dance Festival.

This limited edition artist proof is a valuable piece for collectors and art enthusiasts, embodying the synergy between abstract art and the performing arts. Nathanson’s work continues to influence contemporary abstract art, and this poster is a testament to his enduring impact on the art world.

This unsigned and unnumbered poster is an overrun from the limited edition of 144 signed and numbered pieces created by renowned abstract artist Friedel Dzubas for the Community Holiday Festival in 1973. In total, 270 posters were printed, featuring the same image with a larger left-hand margin containing text. The poster is referenced on pages 42 and 43 of the Lincoln Center Posters book.

Dzubas, a significant figure in the abstract expressionist movement, is celebrated for his bold use of color and dynamic compositions. His work often explores the interplay of vibrant hues and fluid forms, creating a sense of movement and depth that captivates viewers. This particular poster exemplifies Dzubas's ability to transform a festive theme into a visually striking piece of art.

The design for the Community Holiday Festival reflects Dzubas’s mastery in abstract art, where he merges aesthetic beauty with thematic expression. The use of color and form in this poster highlights his influence on the development of abstract art, pushing the boundaries of traditional representation and inviting viewers to experience art through emotion and sensation.

Dzubas's work has played a crucial role in the evolution of abstract art, influencing contemporary artists and shaping the visual language of modern abstraction. His contributions are marked by a continuous exploration of color theory and abstract form, making his pieces highly valued in both artistic and academic circles.

This overrun poster, while not part of the signed and numbered edition, retains the artistic integrity and visual impact of Dzubas's original design. It serves as a testament to his enduring legacy in abstract art and remains a cherished piece for collectors and enthusiasts who appreciate the historical and artistic significance of his work.

"Paco + JJ" is a limited edition etching by renowned artist Glenn Goldberg, numbered out of 25, dated '87, and initialed "G.G." in pencil. This exquisite piece is printed on high-quality BFK Rives paper, known for its excellent texture and durability, which enhances the fine details of the etching.

Glenn Goldberg is celebrated for his intricate and meditative works that often explore themes of nature, spirituality, and the passage of time. His etchings are marked by meticulous detail and a thoughtful balance of form and negative space. "Paco + JJ" exemplifies Goldberg's ability to infuse his work with both simplicity and complexity, inviting viewers to engage deeply with the imagery.

This signed and numbered piece by Monique Prieto, titled "Untitled" (2002), was published by Side Street Projects, an organization dedicated to supporting artists and cultural groups through innovative initiatives. One such initiative is their secret art sale, where the identity of the artist is revealed only after all editions are sold out. This unique approach not only adds an element of surprise and excitement for collectors but also aims to help fund the art community by ensuring that purchases are made based on the merit of the artwork itself.

Monique Prieto, known for her bold and vibrant abstract compositions, has created a work that embodies her distinctive style. Her use of color and form invites viewers into a dynamic visual experience, reflecting her ongoing exploration of contemporary abstraction. This piece is a testament to Prieto’s ability to merge playful aesthetics with profound artistic inquiry.

By participating in this secret art sale, collectors contribute to the sustainability and growth of the arts, directly supporting the creators and cultural organizations that enrich our communities. This initiative by Side Street Projects underscores the importance of fostering a vibrant and inclusive art ecosystem.

"Untitled (2002)" by Monique Prieto is not just a beautiful addition to any collection; it is a piece that carries the story of support, community, and the unpredictable joy of discovering art. The signed and numbered print holds both artistic and philanthropic value, making it a cherished acquisition for art enthusiasts.

This signed and numbered serigraph by Judith Murray was created for the benefit of the Lincoln Center Mostly Mozart Festival in 1991. Renowned for her contributions to abstract art, Murray's work is characterized by its vibrant color palette and dynamic compositions. This particular serigraph captures her distinctive style, blending bold forms with an intricate play of light and shadow.

Judith Murray is celebrated for her ability to infuse abstract art with emotional depth and visual intensity. Her work often explores themes of harmony and dissonance, balance and imbalance, reflecting the complexities of human experience through abstract forms. In this piece, Murray's use of color and geometric shapes evokes the energy and sophistication of Mozart's music, creating a visual symphony that resonates with viewers.

As a female artist in the predominantly male field of abstract art, Murray has made significant strides in pushing the boundaries and expanding the scope of contemporary abstraction. Her innovative approach and commitment to exploring new artistic expressions have earned her a respected place in the art world.

This striking silkscreen print by Cecily Brown, created for The American Dance Festival in 2001, captures a couple dancing center stage, surrounded by an abstracted, energetic room. Though the figures and crowd are rendered in Brown's signature abstract style, the sense of movement and vibrancy fills the scene. Signed and numbered in pencil out of an edition of 100, the piece exemplifies Brown's bold and complex approach, blending figuration and abstraction to evoke the rhythms of dance. Her work pushes the boundaries of contemporary painting, bridging emotion and movement through her vibrant interplay of color, form, and gesture, solidifying her influence on the abstract movement.

This original print captures the festival's energy and grace, reflecting Brown's dynamic approach. It represents a valuable piece for collectors, showcasing her significant contributions to abstract art and her innovative blending of gestural abstraction with modern sensibility.

La Belle Hollandaise silkscreen, printed by Wild Hawthorne Press in 1967, is a captivating work by renowned artist Ian Hamilton Finlay. Finlay, known for his poetic and often nautically-themed artwork, explores his fascination with the patches found on sails of both boats and windmills. The title of this piece also references Picasso's early career portrait of a strapping naked young Dutch woman, intertwining historical and artistic narratives.

Hand signed in pencil on the verso, this silkscreen exemplifies Finlay's ability to blend visual art with literary and historical allusions, creating a layered and thought-provoking piece. His innovative approach to integrating text and image has made significant contributions to the field of concrete poetry and conceptual art, influencing the trajectory of abstract art.

Finlay's work often reflects his interest in classical themes and maritime culture, using abstract forms to evoke the essence of his subjects. In this silkscreen, the bold patches of pink and black contrast sharply, creating a dynamic composition that draws the viewer's attention to the simplicity and complexity of sails as functional and symbolic objects.

As an influential figure in abstract art, Finlay's exploration of form, text, and context has inspired many contemporary artists. His unique perspective and integration of various disciplines challenge traditional boundaries, encouraging viewers to engage with art on multiple levels.

This original serigraph, titled Four Oranges, was created by renowned artist Donald Sultan in 1993. Published by the Lincoln Center Program for the Performing Arts and printed by Brand X in New York, this limited edition print was produced to benefit the Lincoln Center in New York City. The edition size is limited to 108 prints, making it a highly collectible and exclusive piece.

Four Oranges exemplifies Sultan's distinctive style, characterized by bold, simplified forms and a striking use of color. The composition features four vibrant oranges, rendered with Sultan’s signature use of texture and contrast, set against a rich, dark background. The simplicity and elegance of the design highlight Sultan's ability to transform everyday objects into powerful visual statements.

The serigraph’s limited edition status, coupled with its association with the Lincoln Center, enhances its significance and desirability among collectors and art enthusiasts. Each print is meticulously crafted, reflecting the high standards of both the artist and the printing process at Brand X.

Donald Sultan is celebrated for his contributions to contemporary art, particularly in the realm of still life and industrial forms. His work often explores the balance between fragility and solidity, and Four Oranges is a prime example of this thematic exploration.

This serigraph is not only a beautiful piece of art but also a meaningful contribution to the arts, supporting one of New York City’s premier cultural institutions. It represents a blend of artistic excellence and philanthropic spirit, making it a valuable addition to any art collection.

A wonderful Spider Web by Vija Celmins, commissioned as part of Lincoln Center’s 50th Anniversary celebration. Ms. Celmins recently received an award from the International Print Center in New York for her outstanding artistic contribution in this field. Retrospectives of her work have traveled to the Whitney Museum of American Art, the Walker Art Center, and The Museum of Contemporary Art in Los Angeles. Her works are in the Permanent Collections of the Metropolitan Museum of Art and the Museum of Modern Art along with many other distinguished museums.

This first edition screenprint, designed and created by renowned artist Robert Motherwell, was commissioned for the Mostly Mozart Festival presented at the Lincoln Center for the Performing Arts in New York City in 1991. Originally intended to serve both as a print and a poster, only an unsigned screenprint was produced though a few copies were initiazed RM by the artist.

Motherwell’s design captures the essence of his abstract expressionist style, characterized by bold shapes and dynamic compositions. The screenprint reflects the harmony and vitality of the Mostly Mozart Festival, merging Motherwell’s artistic vision with the spirit of classical music celebrated at the event. Due to illness, only a few prints are known to have been initialed "RM" by Motherwell in pencil below the image, adding a rare personal touch to this exceptional piece.

This limited edition print by Robert Rauschenberg, created for the 150th Anniversary of the New York Philharmonic, is a rare and valuable collectible. Hand signed and numbered by the artist, this piece not only commemorates a significant cultural event but also highlights Rauschenberg's contribution to contemporary art. Printed by ULAE, known for its excellence in fine art printing, and featuring the Lincoln Center/List Art Posters imprint, this piece is both a work of art and a historical artifact.