Vintage offset lithograph postcard published by Art Unlimited Amsterdam. Printed in Holland. The postcard is framed in a black wood frame with a front profile of 1 inch and a side profile of 3/4 inch, seated behind a 2-inch mat. Finding this image today is very difficult, making this piece a rare collectible that showcases the striking visual impact of the Apocalypse series.

Vintage offset lithograph postcard published by Art Unlimited Amsterdam. Printed in Holland. The postcard is framed in a black wood frame with a front profile of 1 inch and a side profile of 3/4 inch, seated behind a 2-inch mat. Finding this image today is very difficult, making this piece a rare collectible that showcases the striking visual impact of the Apocalypse series.

Vintage offset lithograph postcard published by Art Unlimited Amsterdam. Printed in Holland. The postcard is framed in a black wood frame with a front profile of 1 inch and a side profile of 3/4 inch, seated behind a 2-inch mat. Finding this image today is very difficult, making this piece a rare collectible that showcases the striking visual impact of the Apocalypse series.

This original invitation features a late self-portrait by Chuck Close, issued for Pace Prints' booth at the prestigious Armory Show in New York, held from March 8 to March 11, 2012. This piece captures Close’s distinct, pixelated portrait style, showcasing his innovative approach to portraiture in his later years. Framed in a white wood frame with a 2-inch acid-free mat and UV-plexi, the presentation enhances the artwork's depth while preserving its archival quality.

"Still Life with Goldfish Bowl" is a reproduction of a painting by Roy Lichtenstein, originally created in 1972. This piece captures Lichtenstein's iconic Pop Art style, making it a valuable addition for collectors and art enthusiasts. Framed in a white wood frame with a 2-inch acid-free mat and UV-plexi, the presentation enhances the artwork's depth while preserving its archival quality.

Print from the Nudes portfolio, single sheet titled "Nude Reading" by Roy Lichtenstein published by Tyler Graphics. Not numbered and unsigned. Framed in a white wood frame with a 2-inch acid-free mat and UV-plexi, the presentation enhances the artwork's depth while preserving its archival quality.

This silkscreen greeting card, a reproduction of Robert Indiana's iconic Love design, was created in 1993 for The Museum of Modern Art, New York. Rarely does a postcard achieve such exceptional quality, blending bold typography and vibrant color with Indiana's timeless message of universal affection. Expertly framed in a white wood frame with a 2-inch acid-free mat and UV-protective plexiglass, the presentation elevates the piece, enhancing its visual depth and preserving its archival integrity. A rare and collectible piece, it beautifully bridges the worlds of fine art and design.

This notecard, published in the mid-1980s by a French company, features a preliminary rendering of Christo's visionary concept for the Wrapped Reichstag in Berlin, depicting the landmark draped in fabric. It lends itself beautifully as a standalone artwork. Elegantly framed in a white wood frame with a 2-inch acid-free mat and UV-protective plexiglass, the presentation enhances the piece’s depth and ensures its archival preservation. A stunning tribute to Christo's monumental creativity, this notecard transforms into a compelling decorative statement.

Offset Lithograph from a portfolio of six Lichtenstein prints published by the Guggenheim Museum, but now out of print. Framed in a white wood frame with a 2-inch acid-free mat and UV-plexi, the presentation enhances the artwork's depth while preserving its archival quality.

Framed in an ornate wood frame with a front profile of 1 1/2 inches and a side profile of 1 inch, this piece is elegantly seated behind a 4-inch mat. This is Edition #669/900, published by Editions Ararat, Paris. The work is plate-signed and numbered 669/900.

The image reflects Sonia Delaunay's exploration of fashion, featuring a model adorned in a long dress decorated with motifs emblematic of the late 60s and early 70s—vibrant colors and bold, flowing lines. Behind the model stands a classic three-panel folding screen, often used in dressing rooms, which complements the scene with colorful motifs in earthy tones of brown, orange, and black. This piece captures the era’s spirit, merging fashion and abstract design in Delaunay's distinctive style.

Original exhibition postcard from Christo and Jeanne-Claude's 'The Gates, Project for Central Park, New York City' of a drawing from 2003 in two parts. Framed in a white wood frame with a 2-inch acid-free mat and UV-plexi, the presentation enhances the artwork's depth while preserving its archival quality.

This artwork by Henri Matisse is a lithograph from the book Cinquante Dessins, published by Les Soins de L'Artiste in 1920.

First Edition. The portfolio was edited and printed by Matisse himself. This is one sheet from the self produced suite of 50 photo-lithographic reproductions of his drawings of women to accompany a 1920 exhibition of his work to coincide with his exhibition at Bernheim-Jeune, France. Only 1000 copies were produced, each drawing is plate signed Henri Matisse.Framed in a black/gold trim frame with a 1 1/4 inch face and a 1 inch depth, plus a 2.5 inch black mat.

This first release lithograph titled Spirales by Alexander Calder is a captivating piece of art that showcases Calder's signature style of bold, swirling forms. The lithograph is plate signed by Calder, adding an element of authenticity and value to the artwork. Although it is not numbered, this lithograph is part of the initial release published by XXieme Editions in 1974, making it a significant piece from the printer's edition.
The artwork is framed in a sleek white wood frame with glass, enhancing its presentation and protecting the lithograph. The frame has a front profile of 3/4 inches and a side profile of 1.25 inches, providing a contemporary and elegant look that complements the dynamic nature of Calder's design.

Meringue Mix, originally painted by Wayne Thiebaud in 1995, showcases the artist’s celebrated approach to depicting desserts with rich color, texture, and whimsical appeal. This reproduction, published and printed by te Neues Verlag in Germany, captures Thiebaud’s signature style, bringing a sense of nostalgia and charm to the subject of sweets. Framed in a crisp white wood frame with a 1.125-inch front profile and a 0.75-inch side profile, the piece has a refined, clean look that complements the artwork’s playful aesthetic. The overall dimensions are approximately 21.25 x 16.75 x 0.75 inches.

M.C. Escher’s Belvedere is framed in a shiny black metal frame with a 3/8-inch front profile and a 7/8-inch side profile, lending it a sleek, contemporary appearance. The overall dimensions are approximately 10.5 x 7 x 7/8 inches.

The meaning of Belvedere (1958) lies in Escher’s exploration of impossible structures and the limitations of perspective. In this lithograph, Escher presents a building with architectural inconsistencies that defy logic, such as columns and beams that connect in ways that are physically impossible. The figure at the bottom holds a drawing of a cube that seems to twist impossibly, echoing the structure above. Through Belvedere, Escher encourages viewers to question their perception and challenges conventional understandings of spatial reality. The piece is a fascinating commentary on illusion, perspective, and the brain's tendency to make sense of the nonsensical.

First edition cover page from Dans LíAtelier de Chagall, printed and published by Mourlot. Framed.

Banderillos (Les Banderilles) is a striking black and white lithograph by Pablo Picasso, created in 1961. The lithograph is dated on the stone as 6.3.61 and was published on 21.4.61 by Mourlot Frères, a prestigious printing house renowned for its collaborations with major artists. The work is part of the unnumbered edition and is featured in the book À Los Toros avec Picasso, which showcases Picasso’s exploration of bullfighting themes.
The book "A Los Toros" by Pablo Picasso was published by André Sauret in 1961.
This lithograph, referenced as Mourlot 349, exemplifies Picasso’s ability to capture the drama and intensity of the bullfight through his distinctive style. The stark contrasts and dynamic lines reflect his mastery in lithography, emphasizing the movement and energy of the bullfighting scene. The piece is an integral part of Picasso’s oeuvre related to the bullfight, illustrating his ongoing fascination with this dramatic and culturally significant subject.

Andy Warhol's involvement in movie posters, particularly for "Querelle," directed by Rainer Werner Fassbinder, is notable in the context of his broader artistic career. Warhol created the poster for "Querelle," a film adaptation of Jean Genet's novel, featuring Brad Davis, Franco Nero, and Jeanne Moreau.

Warhol's movie poster for "Querelle" reflects his interest in film and popular culture, as well as his collaboration with influential filmmakers like Fassbinder. The poster embodies Warhol's distinctive style, often characterized by bold colors, graphic compositions, and celebrity imagery.

Although Warhol's direct involvement in the production of "Querelle" was limited to designing the poster, his contribution underscores his impact on the intersection of art, cinema, and visual communication. Warhol's movie posters remain iconic representations of his artistic legacy, encapsulating his ability to merge fine art with popular media in innovative ways.

Regates by Raoul Dufy is a lithograph from the book Lettre à mon Peintre by Marcelle Oury, printed on high-quality velin Arjomari paper. The artwork is framed in a navy wood frame with a front profile of 3/4 inch and a side profile of 1 inch, complemented by a 4-inch mat that adds depth and elegance to the presentation. Seated behind glass, this piece captures Dufy's signature vibrant and fluid depiction of regattas, making it a beautiful addition to any collection.

This open edition reproduction of Dance by Keith Haring captures the energy and movement for which Haring is famous. Published in France, the print is framed in a sleek black wood frame with a front profile of 1 1/5 inch and a side profile of 1 1/4 inch. The piece is beautifully seated behind a 4-inch mat, enhancing its vibrant colors and dynamic composition. Haring’s iconic bold lines and rhythmic figures are perfectly showcased, making this piece a striking addition to any collection.

To a Summer’s Day by Bridget Riley is a vibrant celebration of color and movement. Created in 1980, this work exemplifies Riley’s mastery of optical art, featuring undulating vertical stripes in soft, summery hues. The rhythmic composition evokes the warmth, light, and energy of a summer’s day, drawing the viewer into a dynamic interplay of color and form. Riley’s precise arrangements create a mesmerizing visual experience, capturing the essence of seasonal joy and vitality.Framed in a black wood frame with a front profile of 1/2 inch and a side profile of 1 1/2 inch. The piece is seated behind a 3 inch mat.

Aquatint with etching from the Couples Portfolio released in 1996. Printed by Parasol Press and signed and numbered out of 75 in pencil by the artist. Framed in a silver metal frame with a front profile of 1/4 inch and a side profile of 1 inch. The print has not been examined outside of the frame.

This vintage blank notecard, published by te Neues Publishing, features artwork by Jean-Michel Basquiat and is a rare example of his painting titled "Hardware Store." Elegantly framed in a white wood frame and mat, the frame has a 1-inch front profile and a 1 1/4-inch side profile, enhancing the notecard's aesthetic appeal and showcasing Basquiat's distinctive style. This item is perfect for collectors of vintage stationery or those seeking to add a touch of sophistication and artistic history to their decor.

This is the original opening invitation card for Donald Judd: The Last Editions at Brooke Alexander Editions in 1994. The invitation takes the form of a postcard that opens up to reveal a folded series of images on translucent paper. The fold lines are present as issued, adding to the piece’s authenticity. It is framed in a white wood frame with a front profile of 1 inch and a side profile of 3/4 inch, offering a clean and modern presentation that complements the minimalist aesthetic of Judd’s work.

Exposition Vallauris, printed by Mourlot for Art in Posters by Sauret (1959), is a reproduction after the original poster #75. The print shows some natural aging, with browning along the borders, adding to its vintage character. It is framed in a brushed gold wood frame with a front profile of 1 inch and a side profile of 1/2 inch. The piece is seated behind a 2-inch mat and protected by UV plexiglass, preserving its condition while enhancing its display.

This fold-out card showcases Donald Judd's Series of Ten Woodcuts in Three Color States: Cadmium Red Light, Ultramarine Blue, and Ivory Black. Published by Brooke Alexander, the card features fold lines throughout, as originally issued. It is framed in a white wood frame with a front profile of 1 inch and a side profile of 3/4 inch, offering a sleek, minimalist presentation that complements the geometric precision and simplicity characteristic of Judd’s work.

This limited edition lithograph, titled Van Gogh with Sunflowers, was created by the celebrated American artist Red Grooms. The print is part of an exclusive edition of only 75, each signed and numbered by Grooms. Printed on high-quality deckled edge paper, this piece exemplifies Grooms' distinctive and vibrant style.

Van Gogh with Sunflowers pays homage to the iconic Dutch painter Vincent van Gogh, capturing his likeness surrounded by his famous sunflowers. Grooms’ playful and energetic approach brings a contemporary twist to this classic subject, infusing the composition with his characteristic whimsy and bold use of color.

The lithograph is currently framed in an elegant gold frame, which complements the rich hues of the artwork. While the print has not been examined outside of the frame, it presents beautifully and is ready for display.

Red Grooms is known for his dynamic and often humorous depictions of urban life and historical figures. His ability to blend realism with a cartoon-like aesthetic makes his work instantly recognizable and highly sought after by collectors.

This framed and matted vintage notecard, titled Nichols Canyon, is a reproduction of David Hockney's original painting from 1985. Published and sold by The Metropolitan Museum of Art for the David Hockney retrospective in 2003, it is not numbered and not signed.

The artwork is presented in a white frame with plexi glass, and the entire frame measures 11.5" x 9.25" with a depth of 1.25". The vibrant depiction of Nichols Canyon showcases Hockney's distinctive style, characterized by bold colors and dynamic compositions that capture the essence of the Los Angeles landscape.

Original exhibition invitation for Jason Fox 'Beware of Darkness' at Almine Rech Gallery in Brussels from March 1st - April 7 2018.

This original invitation is for DELPHI Essentials, an exhibition by acclaimed artist Philipp Lachenmann held at Ace Gallery in Los Angeles from October 4 to December 16, 2017. Known for his thought-provoking and immersive works, Lachenmann explores themes of perception and reality, making this invitation a valuable piece for collectors and enthusiasts of contemporary art.

"Shiny Nude" by Tom Wesselmann, published by Parasol Press LTD. and printed by A. Colish Press, stands out for its glossy finish and vibrant depiction of the female form. It represents Wesselmann's ability to blend fine art with elements of popular culture, making it a valuable addition to any collection focused on Pop Art or the artist’s work. Framed in a green wood frame with a front profile of 1 inch and a side profile of 1 1/4 inch. The piece is seated behind a 5 inch mat.

This stunning offset lithograph by Red Grooms, titled "Group of Hundred Earth Summit," showcases the artist's distinctive style and vibrant use of color. The piece is signed by Grooms in the bottom right corner with red crayon, adding a personal touch to this collectible work of art.The print is elegantly housed in a white wood frame, featuring a front profile of 1 1/4 inches and a side profile of 3/4 inches, which beautifully complements the artwork while providing protection. Please note that the print has not been examined outside of its frame, ensuring its current condition remains intact.The "Group of Hundred Earth Summit" refers to an artistic representation related to environmental concerns and discussions held at the Earth Summit, an important global conference focusing on sustainable development. This lithograph captures the spirit of collaboration and awareness surrounding environmental issues, making it a meaningful addition to any art collection.