This vintage postcard, estate authorized and produced in 1998, features an iconic design by Keith Haring, showcasing his signature style and playful themes. Titled Fold 'n Please Card, the piece was intentionally designed to be folded, resulting in a vertical fold line that is characteristic of its original issue.

Framed in a sleek black wood frame with glass, the artwork boasts a 3/4 inch front profile and a 1 1/4 inch side profile, creating an elegant presentation. In this vibrant composition, Haring depicts his beloved dancing dogs in lively hues of green, red, and blue, embodying a joyous celebration. Surrounding the dogs, Haring’s trademark hashmark brushstrokes convey a sense of movement and energy, inviting viewers to feel the rhythm of the scene.

Haring's background in street art and graffiti also influenced this practice. His spontaneous creations in public spaces were often produced quickly and without formal titles, emphasizing the immediacy and transient nature of his work. This spontaneity carried over into his studio practice, where he maintained the habit of leaving works untitled.
Additionally, Haring's use of recurring symbols and motifs—such as radiant babies, barking dogs, and dancing figures—formed a visual language that communicated ideas without the need for descriptive titles. This consistent iconography allowed viewers to recognize themes and messages across different pieces, further reducing the necessity for specific titles.

Keith Haring designed a poster for the 1986 "Crackdown on Crack" concert in New York City, organized by concert promoter Bill Graham to combat the crack-cocaine epidemic. Haring's poster conveyed a strong anti-drug message, raising public awareness about the dangers of drug addiction and supporting prevention efforts. This socially impactful artwork became emblematic of the anti-drug movement, reaching a wide audience and contributing to efforts to address the drug crisis.

Reprint of the original exhibition poster. Printed as part of the Louisiana Museum's celebration of their most iconic exhibition posters in August 2018.

Original exhibition poster for Keith Haring at the San Francisco Museum of Modern Art in 1998

"Andy Mouse" is a significant artwork by Keith Haring from 1986, paying homage to Andy Warhol and commenting on consumer culture. Haring's piece blends Warhol's likeness with Mickey Mouse, symbolizing the influence of popular culture. This mechanical silkscreen reproduction was published and printed in Germany in 1989, showcasing Haring's unique artistic style and cultural commentary.

Reproduction of Andy Mouse Dollar bill by Keith Haring, published by Te Neues, Kempen, Germany in 1986.

Keith Haring's involvement with the Learning Through Art program at the Guggenheim Museum Children's Program was a testament to his commitment to arts education and community outreach.
Keith Haring was deeply passionate about making art accessible to young people. His collaboration with the Learning Through Art program at the Guggenheim Museum aimed to promote arts education and creativity among children from diverse backgrounds.
The vintage color lithograph fundraising poster created by Haring for Learning Through Art signifies his support for the program's mission. Numbered out of 350 and dated in pencil, this limited-edition poster served as a valuable fundraising tool to support arts education initiatives.
The blindstamp in the bottom right corner of the poster adds authenticity and collectibility to the artwork, confirming its association with Keith Haring and the Learning Through Art program.

Keith Haring frequently chose not to title his artworks, a decision that aligns with his artistic philosophy and the context of his creative process. By leaving pieces untitled, Haring invited viewers to engage with his art without preconceived notions, allowing for personal interpretation and a direct emotional response. This approach reflects his desire to make art accessible and relatable to a broad audience.

This open edition reproduction of Dance by Keith Haring captures the energy and movement for which Haring is famous. Published in France, the print is framed in a sleek black wood frame with a front profile of 1 1/5 inch and a side profile of 1 1/4 inch. The piece is beautifully seated behind a 4-inch mat, enhancing its vibrant colors and dynamic composition. Haring’s iconic bold lines and rhythmic figures are perfectly showcased, making this piece a striking addition to any collection.

The history between "Art Attack on AIDS" and Keith Haring is rooted in Haring's deep commitment to raising awareness about HIV/AIDS and using art as a powerful tool for social activism.
In response to the AIDS crisis, Keith Haring co-founded the "Art Attack on AIDS" initiative in collaboration with art dealer Tony Shafrazi and gallery owner Leo Castelli. This initiative brought together artists, galleries, and organizations to raise funds for AIDS research and support services.
The artwork was printed by Aleksis Lahti on paper donated by Grafiskas Inc., highlighting the collaborative and community-driven nature of the fundraising initiative. This process underscored the collective effort to support HIV/AIDS causes through artistic expression.

Untitled, 1984 by Keith Haring is a rare reproduction published and printed by te Neues Verlag, Germany. This piece captures an image that remains difficult to find among those the Keith Haring Foundation has released for reproduction, adding to its uniqueness and appeal. It is elegantly framed in a black wood frame with a 1.125-inch front profile and a 0.75-inch side profile, giving it a bold, modern presence. The overall dimensions are approximately 20.5 x 20.25 x 0.75 inches, making it a distinctive addition for any Haring enthusiast or contemporary art collection

Untitled by Keith Haring, published and printed by te Neues Verlag, Germany, is elegantly framed in a white wood frame with a 1.125-inch front profile and a 0.75-inch side profile, offering a clean, modern look. The overall dimensions are approximately 18.75 x 18.75 x 0.75 inches, making it a versatile addition to any space."

Keith Haring often left his works untitled to encourage open interpretation and accessibility. By avoiding specific titles, he allowed viewers to connect with the imagery based on their own experiences, emotions, and cultural context. This approach aligns with Haring's mission to make art available to everyone, embracing universality and letting his bold, symbolic imagery speak for itself. Untitled works remain free from narrative constraints, enhancing their timeless appeal.

Untitled, 1985, published by te Neues Verlag, Germany, is framed in a sleek black wood frame with a 1.125-inch front profile and 0.75-inch side profile, adding bold, contemporary appeal. The dimensions are approximately 18.75 x 18.75 x .75 inches, making it a striking addition to any collection.

Keith Haring frequently left his works untitled to promote open interpretation, allowing viewers to connect personally with his imagery. This choice reflects Haring's mission of accessibility and universality, letting his iconic symbols speak freely and resonate timelessly across audiences.

Keith Haring’s Untitled, 1984 depicts a heart with legs, animated in his signature vibrant style. This open edition reproduction captures the lively essence of Haring’s work, featuring bold lines and energetic movement. The piece is framed in a sleek black metal frame with a 3/8-inch front profile and a 7/8-inch side profile, giving it a modern look. Overall dimensions are approximately 11.25 x 11.25 x 7/8 inches, making it a striking addition to any space.

Keith Haring's art vibrantly portrays themes of love, unity, and movement. This reproduction features three iconic images that encapsulate these themes:

Two Men in Love: Depicts two embracing figures, symbolizing love and Haring's advocacy for LGBTQ+ rights. The simplicity of the forms conveys a powerful message of acceptance and equality.

Heart Full of People: A heart filled with figures of diverse backgrounds, representing unity and the interconnectedness of humanity. The heart serves as a universal symbol of love, encompassing all people.

Running Heart: A heart with limbs in motion, embodying vitality and the dynamic nature of love. The running heart suggests that love is active and ever-present, moving through and connecting individuals.

Untitled, 1989 features an iconic Keith Haring character playfully riding a dolphin, capturing Haring’s signature energy and movement. Published and printed by te Neues Verlag, Germany, it is framed in a white wood frame with a 1.125-inch front profile and 0.75-inch side profile, giving it a fresh, modern presentation. The overall dimensions are approximately 18.75 x 18.75 x 0.75 inches, making it a vibrant addition to any collection or display space.

Untitled, 1987 by Keith Haring features a vibrant yellow sunny face with a big smile, embodying Haring's signature style and playful spirit. This artwork is published and printed by te Neues Verlag, Germany. It is elegantly framed in a black wood frame with a 1.125-inch front profile and a 0.75-inch side profile. The overall dimensions are approximately 17.5 x 18.25 x 0.75 inches, making it a striking addition to any art collection that celebrates joy and positivity.