This reprint of the 1972 exhibition poster titled LOVE by Robert Indiana was created to promote an exhibit held at the Louisiana Museum of Modern Art from February 19 to March 12, 1972. The reprint is part of a retrospective series celebrating the museum’s most iconic and prolific posters, published in August 2018.
Robert Indiana’s LOVE is one of the most recognizable and celebrated works in contemporary art. The poster features the iconic LOVE design, with its distinctively stacked letters and the tilted "O". Indiana’s use of bold colors and simple, geometric shapes creates a powerful visual impact, emphasizing themes of love and unity.

Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream".
Parrots are known for their vibrant colors and ability to mimic sounds. In the context of Indiana's work, the parrot could symbolize the diversity of American culture and the multifaceted nature of the American Dream. The bird’s colorful plumage might represent the rich tapestry of experiences and identities within the U.S.

Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream".
The Mississippi River often symbolizes the flow of life, change, and continuity. In Indiana’s work, it might represent the passage of time, the evolution of American identity, or the ongoing journey of the American Dream. The river's broad and winding nature could symbolize the complex and sometimes turbulent journey toward achieving one's aspirations.

"LOVE in Blue and Green" is a notable silk-screen poster designed by Robert Indiana and published by Posters Originals in 1971. The piece is rooted in Indiana's iconic "LOVE" series, which has become one of the most recognized and enduring symbols in contemporary art.
Originally designed in 1966, this version was reprinted in 1971. The timing of its publication reflects the ongoing popularity and relevance of Indiana's "LOVE" theme during the late 1960s and early 1970s, a period marked by significant social and cultural change.

Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream".
The years mentioned—1988, 1989, and 1990—mark a period of significant political and social change globally. The late 1980s saw the end of the Cold War, the fall of the Berlin Wall, and significant movements towards democracy and freedom in Eastern Europe. Indiana's use of these dates reflects a moment of profound transformation and the universal longing for freedom.

Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream".
The term "calumet" refers to a ceremonial pipe used by Indigenous peoples of North America, especially in Native American rituals and peace ceremonies. In art, this symbol can represent themes of peace, diplomacy, and cultural heritage.

The World Premiere of Lord Byron by Robert Indiana is a 1972 original screen print, presented in a custom box plexiglass frame with a side profile depth of 2 inches. The overall dimensions of the frame are 80.5 x 40 inches. This striking piece was published by the Juilliard Theater Opera for a three-act presentation by Virgil Thompson at Lincoln Center in April 1972. The print itself has not been inspected outside of the frame, and some scuffing is present throughout the frame. Additional packing and shipping fees will apply if shipped framed.

Polygon: Square (Number Four) is a limited edition serigraph created by Robert Indiana, published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled The American Dream. This piece is unsigned and not numbered, distinguishing it from other prints in the series which may have been individually signed or numbered. The work's focus on geometric shapes and bold colors reflects Indiana's signature style, emphasizing abstraction and symbolic meaning within the context of American art and culture.

Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream".

Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream".

A serigraph of the first in Indiana's series of American Flag re-inventions. Released in 1963 through Multiples, Inc. as a felt banner. The format, circle in the center of the piece, allows for the piece to be displayed in a vertical or horizontal alignment. This is the start of Indiana's long tradition of American Flag redesigns.

It is also a protest piece against the Vietnam War and America's foreign policy at the time. The star pattern is purposefully reminiscent of the Pentagon and features a 51st star to symbolize America's Imperialistic aspirations.

"The Santa Fe Opera" is a first edition exhibition poster designed and created by Robert Indiana in 1976. This piece was produced to celebrate the 20th anniversary (1957-1976) of the Santa Fe Opera.
The Santa Fe Opera, established in 1957, has been a significant institution in the world of opera. Indiana’s poster commemorates its first two decades, marking an important milestone in its history.

Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream".Featuring a diamond shape and four circles, this piece continues Indiana's criticism of the American way of life. The top circle features 4 highways which were prominent in the car culture of the time. The left circle features a reference to pin ball, meant to serve as an allusion to gambling or the get rich quick ideal and the right to the philosophy of greed and consumerism Indiana saw dominating the country. The bottom circle contains the words "The American Dream" completing Indiana's ironic examination of that idea.

Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream". Robert Indiana, one of the most famous artists of the Pop Art movement tackles one of the most famous New York landmarks in this high quality serigraph. Incorporating his unique aesthetic and his ability to create an interesting and focus grabbing image out of a subject that could be considered mundane or over exposed by other artists. Indiana looked out at the Brooklyn Bridge from the window of his studio.

This limited edition three-color silkscreen poster was designed by renowned artist Robert Indiana and donated to the Lincoln Center for the Performing Arts in 1964. As the second poster in an ongoing program of posters published by Lincoln Center since 1963, this piece holds significant historical and artistic value.
Robert Indiana is a pivotal figure in the Pop Art movement, known for his bold, graphic style and iconic use of typography. This poster exemplifies Indiana's ability to merge visual art with cultural and social commentary. Donated to the Lincoln Center for the Performing Arts, the poster is part of a celebrated series that began in 1963, aiming to blend fine art with performing arts.

"The Metamorphosis of Norma Jean Mortenson" by Robert Indiana, Signed Serigraph printed in 1997 from an edition size of 30. The overall size of the Serigraph is 16 x 16 inches. The condition of this piece has been graded as A: Mint. Here is some supplemental information about the Serigraph: Signed, Labeled a "T.P." (Trial Proof), and Numbered out of 30 in pencil by Robert Indiana. Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream". Here are the details from the book regarding this image by Indiana: "Indiana, as entrenched in numbers and words as he is in color and form, almost invariably has levels of messages even in his most blatant statement works. This is mid-60's artwork is a veritable study in numerology, identity and transition. Note that the 2 & 6 are repeated; Marilyn was born in '26'; died in '62'; the point of the star declare "I moon; the layout mimics a telephone dial, which is what Marilyn held when she died." **Please note: the image has been rotated in order to view the print as intended.

Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream".
The phrase "God is the lily of the valley" can be interpreted through various lenses, often drawing on religious or symbolic meanings. The lily of the valley is a delicate, fragrant flower that is sometimes associated with purity, humility, and renewal in Christian symbolism. It is mentioned in the Bible as a symbol of God's care and grace.

Robert Indiana's design for "The Mother of Us All," an opera by Virgil Thomson with a libretto by Gertrude Stein, is a significant artistic contribution to this renowned work.
The opera centers on the life of Susan B. Anthony, a key figure in the American women's suffrage movement. It explores themes of social justice, equality, and the struggle for women's rights. The libretto by Stein uses a blend of historical fact and poetic imagination, reflecting Anthony's enduring legacy.

Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream".

First edition silkscreen created for List Art Poster/HKL by Robert Indiana to commemorate the 25th Anniversary of the New York City Center. Very hard-to-find and collectible. Has some scuff marks at the top of the image and in the borders.

Highball on the Redball Manifest is a limited edition serigraph by Robert Indiana, signed and numbered 100 out of 395 in pencil. This print is part of the celebrated portfolio and book The American Dream, published by Marco Fine Arts Contemporary Atelier. The artwork is framed in a natural wood profile, with a 7/8" face and 7/8" depth, overall dimensions are 27.75 x 25 inches, highlighting Indiana's distinctive style and exploration of American symbols.

The "Highball" refers to a cocktail, symbolizing celebration and leisure. In Indiana's work, it might represent a cultural icon or a reference to American lifestyle and consumerism.

Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream". The fourth in the "American Dream" series, Indiana sought to convey a sense of danger with the color scheme, taking a nod from the "Danger" signs that were common at the time on America's highways. Indiana also saw the number 4 as intrinsically dangerous, as on the scale on a man's life numbered 1 to 10, 4 for him symbolized adolescence, the time he personally saw as the most dangerous in a person's life. Utilizing the words he had used to criticize the "American Dream" in his previous works in the series, Indiana also sought to reference the Nazi swastika in both its design and color scheme, so as to enhance the dangerous side of the American Dream even more.

Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream".

Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream".In his youth, Indiana lived in an abandoned warehouse for 12 years in lower Manhattan. He devised his own meter to syphon gas from the city grid for himself and his fellow denizens, many who would go on to have their own illustrious careers in the arts. This was a tribute to his 12 years of free gas. The circles, ringed by numbers, are references to gas meters. The use of the black and yellow color scheme invoke a "hazard" sign design.

"LOVE in Green, Blue, and Pink" is a striking piece by Robert Indiana, published and printed by Te Neues Verlag in Germany. This version of Indiana's iconic "LOVE" motif utilizes a vibrant color palette, featuring green, blue, and pink.
The artwork is framed in a white wood frame with a 3/4 inch front profile and a 1 1/4 inch side profile. The overall dimensions of the framed piece are approximately 19 x 18.75 x 1 1/4 inches, making it a versatile size for various display settings.

"Ahava"—which means "LOVE" in Hebrew—is a vintage original postcard from the Flowers portfolio, created by Robert Indiana in 1995. The term "Ahava" translates to "LOVE" in Hebrew, reflecting the universal theme of love that is central to many of Indiana's works.
Framed in black wood 1/4 inch profile in the front and 1/2 inch deep with an acid free mat of 2 inches all around, measuring overall 10.5 x 10.75 inches.