DIANE TUFT / ENTROPY
DIANE TUFT / ENTROPY
Diane Tuft is a photographer currently based in New York City. Tuft has always been fascinated by how environmental factors shape the Earth’s landscape, and capturing this through her camera has been a guiding principle in her work. In her photography series titled Entropy, Tuft explores how many areas of the Great Salt Lake are visually changing and rapidly drying. This series questions what may happen locally and globally if the lake soon dries up.
I persist in conveying the urgency of addressing climate change through my work. I encounter photographic opportunities in situations that demand attention and willingly embrace the challenge they present.
Entropy is “a measure of disorder within a system,” which can increase if left unchecked. In the case of climate change, greenhouse gases trap heat in the atmosphere, creating increasingly unpredictable patterns and extreme weather events within the Earth’s climate system.
Diane Tuft’s photographs explore the destructive impact these forces have had on the Utah region: specifically, the demise of the Great Salt Lake and the ecosystem it supports. The saturated colors, visible cracks, and crystalline textures found in this body of work are born from the lack of moisture making its way to the lake. Although the lake’s level fluctuates from year to year, it reached an all-time low in 2022 with overuse of water resources and climate change serving as critical factors in its disappearance.
Tuft states, “Entropy illustrates the ecological changes that I witnessed in the Great Salt Lake. Many areas of the lake are rapidly drying, caused by evaporation and lack of water replenishment. Underground petroleum is emerging to mix with the lake’s waters, and microbialites are calcifying and ceasing to provide nourishment for the lake’s ecosystem. It is apparent that climate change and global warming are wreaking havoc on the Great Salt Lake, which translates visually to a wonderland of beauty born of tragic consequences.”
"The Great Salt Lake's unique composition, with halophilic microorganisms, algal blooms, and diverse minerals, creates a vibrant kaleidoscope effect. High concentrations of salts and decreased lake volume intensify colors by influencing light refraction, scattering, and mineral composition.
Installation photograph DianeTuft: Entropy, Jan. 26–April 27, 2024, photo by Zachary Norman, © UMOCA
Installation photograph DianeTuft: Entropy, Jan. 26–April 27, 2024, photo by Zachary Norman, © UMOCA
Installation photograph DianeTuft: Entropy, Jan. 26–April 27, 2024, photo by Zachary Norman, © UMOCA
The beautiful stone-like formations that you see in several of my images are Microbialites that have perished due to exposure to air and lack of nourishment from the lake's water. The black in several of my photographs is petroleum that is seeping up from beneath the lake. With my images, I aim to provoke a sense of awe and wonder. I continually endeavor to stimulate dialogue about climate change through my work.
I have always been fascinated by the philosophy and work of Robert Smithson and had been longing to visit the Spiral Jetty for years. To me, Robert Smithson was an artist’s artist, establishing the idea that art could exist outside of a museum and that it could be one with nature. This is the core of my beliefs and work.
In June of 2005, I arranged with the Dia Foundation to photograph the Jetty. At that time, I was exclusively using high-speed infrared film to capture infrared radiation. I was curious what salt, basalt rock and water would look like in infrared photographs. At that time, it was difficult to get infrared film through airports since the film cannot be opened in light or x-rayed. Reluctantly, I decided to purchase a digital color camera to alleviate these difficulties.
Hikmet Lowe (Dia Foundation) and I flew by helicopter to spend the day on the Spiral Jetty photographing the abstractions that I would discover. While flying at that low altitude, I could not help but use the digital camera to photograph the amazing colors that I was witnessing. I flew back to NYC, developed my infrared film and viewed the few color images that I had taken. The colors were even more intense than I had remembered.
I did some research and discovered Westminster College and Dr. Bonnie Baxter who was the expert on the Great Salt Lake. She told me that the colors that I was seeing were because of the lake’s composition. The Halophilic Bacteria was red because of its pigment which uses light energy to enable these bacteria to live and also to prevent photooxidative damage due to the abundance of UV light that the lake absorbs. The Great Salt Lake absorbs 15% more ultraviolet light due to its high altitude.
Digital cameras at this time were having a hard time screening out ultraviolet light; therefore my images were incredibly vibrant."