Abstraction-Création

Two Women Seated, 1967

Puccio Fine Art

Contrastes violentés, 1956

Lorenzelli arte

Photomontage with Object No. 5 , 1928

Annely Juda Fine Art

Whip Snake (Snake on the Post), 1944

Whitney Museum of American Art

The Helices, 1944

Whitney Museum of American Art

Hanging Spider, ca. 1940

Whitney Museum of American Art

Sand Architects, No. 2, 1929

San Francisco Museum of Modern Art (SFMOMA)

Aluminum Leaves, Red Post, 1941

Whitney Museum of American Art

Untitled, 1966

David Benrimon Fine Art

Study for Homage to the Square: Hard, Softer, Soft Edge (Estudio para el homenaje al cuadrado: Hard, Softer, Soft Edge), 1964

Museo de Arte Contemporáneo de Buenos Aires

Composition (no. III) blanc-jaune / Composition with Red, Yellow, and Blue, 1935/1942

San Francisco Museum of Modern Art (SFMOMA)

Counter-Composition XIII (Contra-Compositie XIII), 1925-1926

Centre for Fine Arts (BOZAR)

"Untitled", 1942

Il Ponte

Dice, 1974

RoGallery

Prefatio, 1942

Cristea Roberts Gallery

Images Fermées n°2, 1955

Lorenzelli arte

Study for Tondo, 1954

Washburn Gallery

Double Gong, 1953

San Francisco Museum of Modern Art (SFMOMA)

Hammer Museum

Composition No. 1: Lozenge with Four Lines,, 1930

Guggenheim Museum

Study for Lobster Trap and Fish Tail, 1937-1938

Davis Museum

Moon, 1974

Rago/Wright/LAMA/Toomey & Co.

Church Facade 5, 1914

San Francisco Museum of Modern Art (SFMOMA)

Study for Homage to the Square: Consent, 1971

Guggenheim Museum

Composition 8 (Komposition 8), July-1923

Guggenheim Museum

To Mitla, 1940

Guggenheim Museum

Prismatic II, 1936

Guggenheim Museum

Untitled (Uxmal, Mexico), ca. 1940

Guggenheim Museum

La tour rouge, 1911-1912

Guggenheim Museum Bilbao

The construction of space-time III, 1924

Centre for Fine Arts (BOZAR)