About

Nino Moseshvili's non-figurative paintings, which balance on the verge between abstractive and expressive shapes, present their objects in such a way that they create the impression of attending the process of disintegration and creation of a form. As such, they produce an effect of the purposeful dynamics of energy. Forms are modeled through brush strokes and color gradations: flickering massifs of mountains and water, or underground subway stations, are accompanied by the effects of pulsation, flowing, spurting and cascading like a waterfall on the large-scale canvases. By imitating the …