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For several decades, since the emergence of photography, this was the discourse that led the trajectory of this artistic language, inspiring and reinforcing everything from dictatorial tendencies to humanist discourses. This is not the case with Julia Kater’s research and work: in her exhibition “At eye level”, the visual artist deviates from the almost irresistible trap of describing facts and giving fixed contours to the events that are perceived with her camera.
It’s not that the fact isn’t there. Kater documents seemingly simple – and even banal – moments: a person gazing onto the horizon, …