About

Carole Mousset unleashes fantastical, organic forms, somewhere between human, animal, and vegetal, onto her canvases. She reframes subjects whose visceral nature we can only intuit, without knowing exactly what they're about. The titles, whether poetic or deliberately trashy, alternately distance us from and bring us closer to the subject. Aujourd'hui plus qu'hier et bien moins que demain (Today more than yesterday and much less than tomorrow) is a very direct depiction of the organ of love, while It Crawls, It Creeps evokes the lurid titles of body horror films and novels from …