1965 Andre Sauret , Monte Carlo. 1st Edition, 171 pages. Hardcover in dust jacket and plastic protector. Text in French by Jacques Prevert. 4 Colored plates by Marc Chagall and 76 photos by Izis Biderman. Plastic cover protector is missing a fragment in the back.

This 1974 hardcover book, published by Crown Publishers, Inc. in New York, comes with a dust jacket and a protective slipcase. As a first edition, it features English text by Charles Sorlier and Fernand Mourlot, and includes two original color lithographs: one as the dust jacket and the other as the frontispiece. This edition offers a valuable insight into the world of lithography and fine art, making it a significant collectible for art enthusiasts.

This interpretive lithograph, masterfully executed by Sorlier, is derived from a small detail of "Triumph of Music," one of two grand decorations originally created for the Metropolitan Opera House in New York. Published by the Metropolitan Opera, this piece captures the essence of Chagall’s vibrant and lyrical style, focusing on the exuberance and fantasy that characterize his monumental works. Referenced as no. 108 in "Chagall's Posters - A Catalogue Raisonné" by Sorlier (1975), this lithograph stands as a tribute to Chagall's ability to transform architectural spaces into realms of dreamlike beauty and musical celebration.

This poster was created for the annual exhibition "Painters, Witnesses of Their Time" at the Galliera Museum, Paris. The lithograph, derived from a detail of Marc Chagall's preparatory study for his 1937 painting "The Revolution," is infused with his childhood memories, religious themes, and reflections on the Russian Revolution. Published by Painters as Witnesses of Their Time, Paris, it is listed as reference number 92 in “Chagall's Posters - A Catalogue Raisonné” by Sorlier.

"Bible Verve" by Marc Chagall, Unsigned Lithograph printed in 1956 from an edition size of 300. The overall size of the Lithograph is 25.25 x 16.5 inches. The condition of this piece has been graded as A: Mint. Here is some supplemental information about the Lithograph: Printed on Arches paper.

This lithograph, titled "La Ruche", was printed by Mourlot for Marc Chagall’s 1979 exhibition at the Musée Jacquemart-André in Paris. It portrays Chagall at his easel, painting one of his iconic images of lovers, a recurring theme in his work that represents love, joy, and spirituality. Created by Charles Sorlier at Mourlot, the lithograph captures the essence of Chagall’s dreamlike style, blending his personal imagery with the colorful vibrancy and whimsicality for which he is

This original lithograph, printed by the renowned Mourlot Studios in Paris, was created for the "Chagall and the Bible" exhibition at the Roth Museum in Geneva, held from July to August 1962. Published by the Roth Museum, the lithograph features Chagall’s vibrant and expressive interpretation of biblical themes. This piece not only underscores Chagall's profound connection to spiritual subjects but also commemorates a pivotal exhibition dedicated to his artistic legacy.

This advertising poster, printed by Mourlot for the Office of French Tourism, is a captivating detail from Marc Chagall’s Ceiling of the Opera, specifically a fragment paying tribute to Berlioz’s "Romeo and Juliet." It features iconic images of Paris landmarks such as the Place de la Concorde and the Arc de Triomphe, seamlessly blending Chagall’s dreamlike artistry with the rich cultural heritage of France. Published by the French Tourism Bureau, this poster is a vivid celebration of French art and architecture, and it holds a special place in Chagall's oeuvre as referenced on page 96 in "Chagall's Posters - A Catalogue Raisonné" by Sorlier (1975). The combination of Chagall's vibrant design and the high-quality printing by Mourlot makes this poster not only a beautiful piece of art but also a significant collectible for admirers of Chagall’s work and French cultural history.

This original lithograph, printed by the renowned Mourlot Studios in Paris, was created for the "Chagall and the Bible" exhibition at the Roth Museum in Geneva, held from July to August 1962. Published by the Roth Museum, the lithograph features Chagall’s vibrant and expressive interpretation of biblical themes. It is hand-signed by Marc Chagall in pencil within the image, adding a touch of authenticity and making it a highly sought-after collectible. This piece not only underscores Chagall's profound connection to spiritual subjects but also commemorates a pivotal exhibition dedicated to his artistic legacy.

The French Tourism Office recognized Chagall’s international appeal and commissioned him to create a poster in 1964 to promote Paris, using the newly completed opera ceiling as its centerpiece. The social reason for this commission was to highlight Paris as not only a historic and romantic city but also as a global cultural capital at the forefront of modern art and creativity.

By featuring Chagall’s colorful and whimsical ceiling in the promotional poster, the French Tourism Office aimed to attract tourists to experience Paris as a city where tradition met innovation. Chagall’s artistic vision aligned perfectly with the image Paris sought to project in the 1960s—a city where classical beauty and modern artistry coexisted harmoniously. The poster promoted Paris as not just a place of historical monuments but as a living, evolving center of culture, art, and music, continuing to shape the world's creative landscape.

Page 9, plate 5 from Derriere le miroir, number 246, 1981, Titled "Creation". Published by Maeght, Paris. On the verso is the full-color image "Les Lilas."

Silkscreen printed on heavy rag paper with deckled edges and with the Tel Aviv Museum's Blind-stamp.

This first edition lithograph titled “Jacob’s Ladder” (L'Échelle de Jacob) was expertly printed in Paris by the renowned Mourlot Printers. The poster captures the dreamlike and symbolic style of Marc Chagall, who often infused his works with rich, narrative imagery. "Jacob’s Ladder" depicts the biblical scene from the Book of Genesis, where Jacob dreams of a ladder reaching from Earth to Heaven, with angels ascending and descending upon it. This profound vision symbolizes the connection between the divine and the earthly, reflecting themes of spirituality, revelation, and the journey toward enlightenment. Chagall’s interpretation of this scene is rendered with his signature use of vibrant colors and fluid forms, transforming the biblical story into a captivating and mystical experience. The lithograph not only serves as a testament to Chagall’s artistic genius but also invites viewers to explore deeper spiritual and existential themes through the lens of his unique visual narrative.

This signed offset lithograph, After the Flood: Noah Offering a Sacrifice to God, is an illustration for the book Chagall Biblical Message. It features wide margins, apart from the regular book plate edition, and was published for Le Musée national Message Biblique Marc Chagall in Nice, France.
Provenance: From the private collection of Martin Riskin, purchased circa 1975.
Condition: Previously framed, in good condition.

This first printing lithograph titled “The Yellow Background” by Marc Chagall, published in 1969, was engraved by Charles Sorlier and is listed as number 56 in the Chagall-Sorlier Lithographs catalogue raisonné. Printed by Mourlot and published by Maeght, Paris, the piece features “Chagall” in red on Arches vellum, which is watermarked but bears no gallery or date references. Although unsigned and unnumbered, this lithograph exemplifies Chagall’s vibrant style and remains a highly collectible piece, reflecting the exceptional quality and artistry of its creators.

This very large original billboard poster, measuring 120 x 160 cm, was prominently displayed in specific areas of Paris to advertise Marc Chagall’s exhibition at the Galerie Maeght in 1973. Its impressive size makes it a unique and highly collectible item for any Chagall enthusiast. The poster's grandeur not only captured the attention of Parisians but also reflects the significance of Chagall’s art in the cultural landscape of the time. Printing posters of this magnitude is both costly and rare today, as only a few printers worldwide possess the capability to produce such large-scale artwork. This makes the poster not only a relic of a bygone era of art advertising but also a prized artifact that commemorates Chagall’s enduring legacy and the historic exhibition at one of Paris’s most esteemed galleries.

This poster was printed for an exhibition at the Louvre Museum, showcasing a significant collection donated by Marc Chagall and his wife to the French government. Published by the National Museum in Paris, this piece commemorates the generous donation and the cultural impact of Chagall’s work. Referenced as number 104 in “Chagall’s Posters - A Catalogue Raisonné” by Sorlier (1975), the poster highlights the unique blend of whimsy and vivid color that characterizes Chagall’s art, serving as a collectible tribute to this momentous exhibition and the artist's enduring legacy.

This striking poster, created for a solo exhibition at the Maeght Gallery in Paris, showcases Marc Chagall's vibrant and whimsical style. Published by Maeght, Paris, it highlights Chagall's unique ability to blend color and form in captivating ways. As noted in reference no. 58 in “Chagall's Posters - A Catalogue Raisonné” by Sorlier (1975), this poster not only commemorates the significant exhibition but also serves as a testament to Chagall’s enduring influence in the art world. It is a prized piece for collectors and admirers of Chagall’s work, reflecting the rich cultural heritage and artistic prestige associated with the Maeght Gallery.

This lithograph was specially created for the book "Chagall - Lithographe III" and printed by Mourlot in Paris. Designed to be the cover for the book, published by Mourlot, the lithograph is listed as reference number 577 in "Chagall Lithographs IV, 1969-1973" by Sorlier & Mourlot (1974). This cover not only highlights Chagall's mastery in lithography but also serves as a significant collectible, representing a key period in the artist’s prolific career.

This first printing double-page lithograph from Derrière le Miroir (DLM) #27-28, issued by Editions Pierre à Feu, Maeght Éditeur in 1950, features a central fold as originally designed. Published at 13 Rue du Téhéran, Paris, France, this lithograph exemplifies the avant-garde spirit of the celebrated art periodical.

This page is from the "Chagall" lithograph book by Jacques Lassaigne, published in 1957. This edition, which is Sauret no. 202, was printed by Draeger with a limited run of 6,000 copies, and published by Maeght, a renowned name in the art world. The book is celebrated for its exquisite lithographs, showcasing Marc Chagall's vibrant and imaginative artwork. Each page, including this one, reflects the artist's distinctive style, capturing the whimsy and emotional depth that characterize Chagall’s masterpieces. The publication stands as a significant collectible, preserving the essence of Chagall’s artistic vision in a beautifully crafted and historically important format.

Catalogue raisonné: “The Lithographs of Chagall: 1957-1962” André Sauret, 1963
Page 24, Reference 202

This lithographic reproduction titled “The Circus” (1968), executed by Charles Sorlier, is based on a small original print that Marc Chagall painted in 1960. Printed for an exhibition of Chagall’s lithographs at the Museum of Modern Art in Ceret, France, and published by Editions of the Museum, this poster is listed as number 112 in “Chagall's Posters - A Catalogue Raisonné” by Sorlier (1975). It captures the vibrant and whimsical essence of Chagall’s circus scenes, celebrating the joy and spectacle of the circus through his unique artistic lens.

This poster, printed by Mourlot Paris, was created for an exhibition of Marc Chagall’s work presented by Borstahusens Konstförening Gallery at Konsthallen Landskrona in Landskrona, Sweden, from June 15 to August 31, 1967. It serves as a vibrant celebration of Chagall’s artistic legacy, capturing the essence of his colorful and imaginative style, and marking a significant cultural event in the region.

This hand-drawn first edition 20-color lithograph was created by chromist Marc Kniebihler from a painting by Marc Chagall. The signature on the bottom right-hand side is a printed facsimile of the artist's signature. With a total edition size of two thousand copies, it was published in 1985 by Leon Amiel Publisher Inc. This piece beautifully captures the essence of Chagall’s work, making it a valuable addition to any art collection.

This 1974 hardcover book, published by Crown Publishers, Inc. in New York, comes with a dust jacket and a protective slipcase. As a first edition, it features English text by Charles Sorlier and Fernand Mourlot, and includes two original color lithographs: one as the dust jacket and the other as the frontispiece. This edition offers a valuable insight into the world of lithography and fine art, making it a significant collectible for art enthusiasts.

Limited edition poster unsigned published for Israel Museum in Jerusalem.

This original exhibition poster, titled "Ville de Bruxelles", was created by Marc Chagall for his 1972 exhibition in Brussels, Belgium. Printed at the renowned Mourlot Atelier in Paris, the poster features Chagall’s signature dreamlike composition, with a hovering figure in forest green floating above a town, and a vibrant red rooster below. These elements, often seen in Chagall’s work, symbolize themes of spirituality, memory, and renewal.

This poster is catalogued in Charles Sorlier’s reference book, which documents Chagall’s extensive lithographic output. Although the exact edition size remains unknown, its rarity and the quality of Mourlot’s printing make it a highly desirable piece for collectors of Chagall’s lithographic posters.

This original double-page lithograph, titled "Le Mulet sous la Lune", was printed on pages 14 and 15 of Derrière le Miroir (DLM) No. 198, published in 1972 by Maeght Editeur. The artwork features a fold down the center, as issued, as part of the magazine’s typical large-format layout. In this whimsical composition, Marc Chagall depicts himself as a mule, a recurring motif symbolizing both burden and creativity. His wife, Bella, lies peacefully below, under the gaze of a crescent moon, evoking themes of love, fantasy, and Chagall's deep connection to both Bella and nature.

This dreamlike lithograph is characteristic of Chagall's surreal and romantic imagery, blending human and animal forms with celestial bodies. The work reflects his personal mythology, where his affection for Bella, his muse, is expressed in a surreal, almost magical, context. The lithograph’s vibrant colors and playful composition are enhanced by the high-quality printing process at Mourlot, renowned for collaborating with Chagall on many of his lithographic works.

The publication itself includes three original lithographs and additional text by Louis Aragon, making it a valuable collector’s piece within the Derrière le Miroir series​ CAHIERS D'ART

The 1966 Marc Chagall poster for the exhibition at the Kunsthaus Hamburg features a striking depiction of Chagall’s wife, Bella Rosenfeld, serving as the model for one of his paintings. The artwork reflects an intimate moment where Chagall captures Bella, bare-breasted, symbolizing their youthful love. The painting itself shows both Chagall and Bella appearing young, hinting that this is one of Chagall’s earlier works. This poster captures his deep affection for Bella, who was his muse throughout much of his life and art.

This title is catalogued as Sauret 205, "Still Life with Fruits" by Marc Chagall. This lithograph depicts a classic Chagall composition with a bottle, a bowl of fruit on a table, and Chagall’s signature fantastical elements—such as birds and a goat—appearing in the background. Printed by Mourlot in 1957, it was created for Jacques Lassaigne's book titled Chagall . This book is known for its inclusion of original lithographs created by Marc Chagall, printed by Mourlot Frères. These lithographs, including the one were specifically produced for the book, which aimed to provide a comprehensive look at Chagall's artistry during that period.

This poster was created for a solo exhibition at the Maeght Gallery in Paris and published by Maeght in Paris. Listed as reference number 58 in “Chagall's Posters - A Catalogue Raisonné” by Sorlier (1975), the poster features a unique depiction of Chagall as a phoenix, a mythical creature symbolizing rebirth and immortality, combined with a half-horse, half-human figure. This imagery reflects Chagall’s exploration of transformation and the eternal nature of the human spirit. The phoenix, rising from its ashes, represents renewal and the perpetual cycle of life, while the centaur-like figure merges the physical and the ethereal, illustrating the union of earthly experiences with artistic and spiritual transcendence. This rare and symbolically rich poster is a testament to Chagall’s imaginative and profound artistic vision.

This first release exhibition billboard-poster, printed for the Musée Maillol from November 3, 2003, to March 15, 2004, was produced by Galerie Maeght and printed by Imprimerie A. Karcher in Aubervilliers. Despite showing some signs of handling, the poster remains a striking piece of art. The image features the artist above the Opera in Paris, holding a bouquet of flowers. To his left stands a woman in a red dress, and another woman in a pink dress is depicted to the lower right. These posters were used commercially around the city to promote Chagall’s works at Galerie Maeght, making them quite rare.

This poster, printed for the exhibition of stained-glass windows "The Twelve Tribes of Israel" at the Palace of the Louvre, Paris, features an interpretative rendering of a lithograph created from a stained-glass window at the Synagogue of the Medical Center of the Hadassah Hebrew University in Jerusalem. Published by the National Museums, Paris, it showcases Chagall's vibrant and symbolic artistry.

"The Tempest" is an original lithograph on Arches paper from the portfolio "Dans L'atelier de Chagall." This lithograph is an above-edition print, produced in addition to the required number of lithographs to complete the portfolio. Printers typically create a surplus of prints to account for potential damages, losses, or other unforeseen issues, ensuring that the final edition meets the necessary quantity. This practice reflects the meticulous care taken to preserve the integrity and completeness of the portfolio.

This original poster, created by Marc Chagall for the Musée de Brest, France, in 1969, features the artist on the right releasing a bird, symbolizing freedom, creativity, and spiritual liberation. Designed for an exhibition showcasing Chagall’s lithographs printed at Mourlot, the show was held from January to March 1969. This captivating poster not only highlights Chagall’s whimsical style but also reflects his enduring themes of hope and transcendence.