This lithograph features an unpublished work presented at the Musée Réattu in Arles, renowned for its collection of Picasso drawings. The artwork, created in 1971, depicts two faces—one younger and one older—reflecting Picasso's exploration of age and transformation.

The lithograph captures the contrasting expressions and emotional depth characteristic of Picasso's later period, showcasing his mastery in portraying human figures and their evolving identities.

Dakar is a lithographic poster by Pablo Picasso, engraved by Henri Deschamps and printed at Mourlot in 1972.

This poster, referenced in Luis Carlos Rodrigo, Volume I as #236, pg. 500, highlights Picasso's artistic expression from this period. The collaboration with Henri Deschamps and the prestigious Mourlot printing house ensures high quality and fidelity to Picasso’s original design. The piece remains a notable example of Picasso’s graphic work and is valued for its artistic and historical significance.

Tauromachie is a color lithograph recreated by Henri Deschamps in 1982, based on Pablo Picasso’s original drawings from 1957. These works stem from Picasso’s years of studying bullfights in Spain and the south of France, where he delved deeply into the dramatic and emotive aspects of bullfighting.

The lithograph was printed on the presses of Mourlot in Paris for the benefit of the Musée d'Art Moderne in Céret, France. It was part of the exhibition titled Picasso et la Tauromachie, which celebrated Picasso's exploration of bullfighting themes.

Banderillos (Les Banderilles) is a striking black and white lithograph by Pablo Picasso, created in 1961. The lithograph is dated on the stone as 6.3.61 and was published on 21.4.61 by Mourlot Frères, a prestigious printing house renowned for its collaborations with major artists. The work is part of the unnumbered edition and is featured in the book À Los Toros avec Picasso, which showcases Picasso’s exploration of bullfighting themes.
The book "A Los Toros" by Pablo Picasso was published by André Sauret in 1961.
This lithograph, referenced as Mourlot 349, exemplifies Picasso’s ability to capture the drama and intensity of the bullfight through his distinctive style. The stark contrasts and dynamic lines reflect his mastery in lithography, emphasizing the movement and energy of the bullfighting scene. The piece is an integral part of Picasso’s oeuvre related to the bullfight, illustrating his ongoing fascination with this dramatic and culturally significant subject.

Cavalier is a reproduction of Picasso’s artwork depicting a horseman on horseback, originally created in 1954. This piece is featured in the publication Toros y Toreros, which includes text by Luis Miguel Dominguín and was published by Editions Cercles D'Art.

The reproduction captures Picasso’s dynamic representation of the equestrian figure, reflecting his distinctive style and thematic focus on bullfighting and equestrian subjects.

The first edition of Luis Carlos Rodrigo. Volume I, published by Arte Ediciones in 1992, is a magnificent reference work on Pablo Picasso’s posters. This volume is celebrated for its stunning illustrations and comprehensive narrative on each poster. It is illustrated throughout in both color and black and white, highlighting Picasso's diverse and influential poster art.

Volume I, together with Volume II, covers a total of 630 posters arranged chronologically. Each entry is meticulously detailed, including information such as poster number, title, site of the exhibition, publisher, printer, technique, format, and print run. The book is presented in fine hardback copies with matching dust jackets, underscoring its value as a classic reference work for collectors, scholars, and enthusiasts of Picasso’s art.

This first edition cloth-bound volume, published by Arte Ediciones in 1992, is an extraordinary work that serves as a comprehensive reference on Pablo Picasso’s posters. It is renowned for its magnificent illustrations and detailed narrative on each poster. The book is illustrated throughout in both color and black and white, showcasing the full range of Picasso’s poster art.

Volume I, along with Volume II, features a total of 630 posters arranged in chronological order. Each entry includes detailed information such as the poster number, title, site of the exhibition, publisher, printer, technique, format, and print run. This meticulously compiled work is destined to be a classic reference for Picasso enthusiasts and scholars, offering an in-depth look at the artist’s influential contributions to poster art. The fine hardback copies come with equally fine dust jackets, enhancing the book’s value as a collector's item.

This screen print is a reproduction of Pablo Picasso's work titled "Toros en Vallauris." It was published by Universal Prints GmbH, a well-known German publisher that is now defunct. The print is produced on heavy cotton matte paper, which enhances the quality and durability of the reproduction.
Pablo Picasso had a lifelong fascination with bullfights, a passion rooted in his Spanish heritage. Bullfighting, or corrida, symbolized a blend of life, death, and artistic performance, which resonated with Picasso's own views on art. He often depicted bullfighters, bulls, and the drama of the ring in his work, using them as metaphors for human struggle, violence, and passion. The bull became a recurring motif in his paintings, prints, and ceramics, reflecting both personal and cultural significance.

This reproduction is from the "347 Series" presented by the Hokin Gallery, formerly located in Palm Beach, Florida. It features a work titled "Picasso, Son Œuvre et Son Public," corresponding to Bloch 1481. The piece was reproduced to reflect Picasso’s extensive body of work and his relationship with the public.

The Hokin Gallery was known for its presentation of high-quality reproductions and exhibitions of significant artworks.

The Flutiste is an original lithographic poster created by Pablo Picasso in 1968. It was produced to promote a short exhibition of Picasso's works, held at Galerie Louise Leiris from February 28th to March 23rd, 1968. The poster was printed by the renowned Mourlot Studios in Paris, known for their high-quality printmaking and frequent collaborations with Picasso throughout his career.

This work is referenced as #273 in Christophe Czwiklitzer’s catalogue of Picasso posters, highlighting its importance and place among Picasso’s poster art. The image in the lithograph captures a flutist in Picasso's distinctive, bold style, reflecting his ongoing exploration of musical themes in his work during the 1960s.

As an original lithograph, The Flutiste is highly collectible, representing Picasso’s mastery of printmaking and his collaboration with Galerie Louise Leiris, a gallery that had a long history of showcasing Picasso’s work.

This reproduction is titled Enfant Jouant (Child at Play), published by Kunstsammlung Nordrhein-Westfalen in Düsseldorf and printed by Achenbach Art Edition. Referenced in Rodrigo, Vol. II, it depicts a child engaged in play, capturing Picasso’s characteristic use of form and color to convey innocence and joy.

This poster was created for La Fête de l’Humanité, an annual event organized to support the French Communist Party. The 1973 edition of the event was held at the Parc Paysager de Courneuve and featured works from prestigious institutions, including the Hermitage, the Pouchkine Museum, the Prague National Collection, and the Paris Modern Art Museum.

The poster showcases a replication of a 1970 drawing by Pablo Picasso, depicting a Harlequin and a female nude model. The design captures Picasso’s signature style and thematic exploration, reflecting his ongoing influence and engagement with art and political causes.

Homage to Reverdy is a rare original aquatint by Pablo Picasso, created in 1967. This work is part of a limited edition of 100 copies, printed on high-quality Arches paper. The lithograph was published by Louis Broder in Paris and printed by Fequet & Baudier, also in Paris.
Reference: Czwiklitzer #255

The image measures 28 1/4 x 18 1/2 inches and features a heliogravure technique, showcasing Picasso's unique approach to printmaking. This piece is noted for its rarity and its connection to the poet Guillaume Apollinaire, to whom it is dedicated.

This reproduction of Picasso's poster Relais de Jeunesse is redrawn and measures 12.5 x 9.25 inches. It is part of the book Art in Posters by André Sauret, published in 1959. The book features a collection of posters created by renowned artists, including works by Picasso. It provides a comprehensive exploration of how artists have used posters to convey their messages and artistic vision. With high-quality reproductions, the book highlights the artistic and historical significance of these posters, showcasing their vibrant design and the innovative techniques employed by the artists.

Hommage to Picasso is a notable book published by XXieme Siecle Edition in Paris in 1971, celebrating the work of Pablo Picasso. This hardcover volume, bound in red cloth with a dust jacket, features several original woodcuts and lithographs by Picasso.

Among the highlights of the book is a plate-signed original lithograph of La Corrida, showcasing Picasso's distinctive style and mastery in printmaking. The inclusion of this lithograph adds significant value and appeal to the book, making it a prized collector’s item for those interested in Picasso’s artistic legacy.

This lithograph was produced for the Braque-Chagall-Picasso Graphik exhibition held at Galerie Valentien in Stuttgart Königsbau from December 1968 to January 1969. The lithograph is printed on vellum and reproduces a linocut by Pablo Picasso dated 1955.

The image depicted features two women, one seemingly presenting a glass bottle to the other, reflecting Picasso's distinctive style and thematic focus.

This exquisite lithograph was created in conjunction with an exhibition at the renowned Galerie Lucie Weill in 1966. The print was masterfully recreated by the esteemed engraver Henri Deschamps and printed on BFK Rives paper, renowned for its superior quality and its ability to retain the fine details of artistic works. The printing was meticulously executed by Mourlot Frères, a prestigious printing house known for its collaborations with celebrated 20th-century artists.

The lithograph is part of a series of printer’s copies, which are distinct from limited edition prints due to their unsigned and unnumbered status. These copies feature full margins, preserving the artwork's original scale and integrity as intended for display. The BFK Rives paper enhances the print’s rich texture and depth, highlighting the meticulous craftsmanship and artistic quality of the work.

The Posters of Picasso, authored by Joseph K. Foster and published by Grosset and Dunlap in 1964, is a rare and valuable reference book focusing on Picasso's most famous posters. This first edition is presented in a hardcover format with a dust jacket, both in very good condition.

The book is an essential resource for enthusiasts and collectors, offering detailed insights into Picasso's lithographic posters, many of which were printed by the renowned Mourlot Press.

Color lithograph after (d'apres) Picasso, recreated by Henri Deschamps on the presses of Mourlot in Paris for the benefit of the Musee D'Art Moderne in Ceret France in 1982. The title of the exhibition was Picasso et la Tauromachie.

This poster was designed by Henri Deschamps using as subject the oil on canvas entitled "The Young Painter" by Pablo Picasso on 11 April 1972. The original painting by Picasso is in the Musee Picasso, Hotel Sale, Paris. Oeuvres De 1970 A 1972. Museum mounted on linen.

First edition exhibition poster/lithograph published for the Festival D’Avignon. The image was originally used for a poster created by Picasso in 1964 titled Le Corsaire. Printed by Mourlot.

La Petite Corrida, also known as Petit Bullfight, is an original lithograph by Pablo Picasso created in 1957 for the XXème Siècle edition. This vibrant lithograph captures the energetic and dramatic essence of a bullfight, rendered in Picasso’s characteristic colorful tones and dynamic style.

The lithograph is part of a larger edition of 3,000 copies, with each print featuring Picasso’s signature and the date "23.11.57" within the plate, affirming its authenticity. It is listed as Bloch #839, a reference that helps identify and authenticate the piece within the broader context of Picasso's lithographic work.

The Crâne de Bœuf poster was designed by Pablo Picasso for an exhibition of his work held at the Musée Cantini in Marseille, France, in 1959. The lithography was executed by Henri Deschamps, Picasso’s preferred lithographer and close friend, at Mourlot in Paris.

The poster was widely used to promote the exhibition throughout Marseille. It features Picasso's distinctive style, showcasing his artistic approach to the theme of bullfighting and skull imagery. The collaboration with Deschamps and Mourlot reflects the high quality and significance of this promotional piece.

Grand Profil by Pablo Picasso is a high-quality reproduction that captures the essence of the original masterpiece. The painting Grand Profil by Pablo Picasso was originally created in 1963. This piece is an excellent representation of Picasso's late period, showcasing his mastery in simplifying forms and focusing on the essence of his subjects. Printed on 250g paper with deckled edges, this reproduction emphasizes both quality and durability. The deckled edges add a touch of elegance and authenticity, reminiscent of traditional printmaking techniques.

Portrait de Jeune Fille by Pablo Picasso is a high-quality reproduction that captures the essence of the original masterpiece. Picasso’s Synthetic Cubism period involved the use of various materials and techniques to create complex, layered compositions. In Portrait de Jeune Fille, these themes are evident in the interplay of forms and the careful arrangement of elements that challenge traditional notions of perspective and representation. Printed on 250g paper with deckled edges, this reproduction emphasizes both quality and durability. The deckled edges add a touch of elegance and authenticity, reminiscent of traditional printmaking techniques.

La Guitare by Pablo Picasso is a high-quality reproduction that captures the essence of the original masterpiece. Printed on 250g paper with deckled edges, this piece emphasizes craftsmanship and attention to detail. The painting La Guitare by Pablo Picasso was originally created in 1913. This artwork is a prime example of Picasso's exploration into Synthetic Cubism, characterized by the incorporation of mixed media and a focus on form and structure.

Woman Sitting in an Armchair by Pablo Picasso is a high-quality reproduction that captures the essence of the original masterpiece. Printed on 250g paper with deckled edges, this piece emphasizes craftsmanship and attention to detail. Published by Achenbach Art Edition in Düsseldorf, this reproduction reflects the meticulous standards upheld by this renowned publisher.
Picasso, a leading figure in both the Cubist and Surrealist movements, is known for his innovative and transformative approach to art. Woman Sitting in an Armchair features his distinctive style, combining fragmented forms with a sense of emotional depth and psychological complexity.

This is a reproduction of Cat Catching a Bird by Pablo Picasso, originally painted in 1939. Part of his "Taschen Posterbook: Picasso" portfolio, published in 1993 by Taschen and printed in Germany.

Picasso in His Posters - Image and Work, Volume III by Luis Carlos Rodrigo, published by Arte Ediciones in 1992, is a significant volume in the comprehensive series dedicated to Picasso's poster art. This volume, still in its original shrink wrapper, offers an extensive exploration of Picasso’s posters, presenting both the images and detailed analyses of his work.

As a part of this renowned series, the book continues to provide in-depth coverage of Picasso’s poster art, showcasing his contributions to the field through a combination of high-quality reproductions and scholarly commentary.

Picasso in His Posters - Image and Work, Volume IV by Luis Carlos Rodrigo, published by Arte Ediciones in 1992, is a significant volume in the comprehensive series dedicated to Picasso's poster art. This volume, still in its original shrink wrapper, offers an extensive exploration of Picasso’s posters, presenting both the images and detailed analyses of his work.

As a part of this renowned series, the book continues to provide in-depth coverage of Picasso’s poster art, showcasing his contributions to the field through a combination of high-quality reproductions and scholarly commentary.

A very large reproduction of Les Pigeons, the view from Picasso's window onto the Bay of Angels, in Nice, France. The image was also featured by French Tourism Office promoting la Cote d'Azur in the south of France. Published by BilledKunst, Graphik Produktion, Germany with the approval of the Picasso Heirs.

Originally drawn in 1959, the bullfighter image was recreated for the publication Toros y Toreros, with text by Luis Miguel Dominguín and published by Éditions Cercles d'Art.

Cover page from a portfolio titled "Mes Dessins D'Antibes" (My Antibes Drawings). The portfolio included sixteen lithographic facsimiles printed in black by Daniel Jacomet after drawings by Pablo Picasso that were created while the artist was living in Antibes, near Vallauris after the war. Published by Galerie Chalette, New York. ONLY the cover sheet is sold here. The signature is a facsimile signature, it is not hand-signed.

In The Artist and His Model, Picasso delves into the intricate relationship between the artist and his muse, a recurring theme throughout his career. The reproduction vividly captures Picasso's self-portrait as the artist, seated alongside a female model. The model's form is rendered in Picasso's distinctive abstract style, emphasizing geometric simplification and fluid lines. This poster, derived from the esteemed collection of the Albright-Knox Art Gallery in Buffalo, New York, showcases Picasso's ability to blend introspective subject matter with his revolutionary artistic approach.

Still Life with Ox Skull is a unique publisher's maquette printed on high-quality 250g paper with deckled edges, published by Achenbach Art Edition in Düsseldorf. This maquette is a preliminary version of the final print, featuring handwritten notes in ballpoint pen from the editor. These notes provide instructions for color adjustments, highlighting the iterative process involved in finalizing the print.

The presence of these annotations adds a layer of historical and production value to the piece, offering insight into the editorial decisions and changes made during the publication process.